L’artiste de bande dessinée et son miroir : l’autoportrait détourné
Writing about itself does not necessarily come with a strong concern for the representation of itself: self-portrait remains, in general, relatively dispassionate or disembodied. One may wonder if comics, traditionally an art of the character, is open to portraiture and therefore to self-portrait. T...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Université Paris XIII
2013-09-01
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| Series: | Comicalités |
| Subjects: | |
| Online Access: | http://journals.openedition.org/comicalites/1702 |
| _version_ | 1818620162522218496 |
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| author | Catherine Mao |
| author_facet | Catherine Mao |
| author_sort | Catherine Mao |
| collection | DOAJ |
| description | Writing about itself does not necessarily come with a strong concern for the representation of itself: self-portrait remains, in general, relatively dispassionate or disembodied. One may wonder if comics, traditionally an art of the character, is open to portraiture and therefore to self-portrait. To allow the reader to recognize it, isn’t it imperative that the character’s face matches first to itself? And doesn’t the art of drawing disappear in front of that compelling objectification? Hovewer, some authors open rich narrative ways by exacerbating this tension between the portrait and the character: constantly updating and renewing the distance between the artist and his model, they define portraiting as an unstable and creative process. |
| first_indexed | 2024-12-16T17:49:00Z |
| format | Article |
| id | doaj.art-f625869742214dfea082e603844c087f |
| institution | Directory Open Access Journal |
| issn | 2117-4911 |
| language | English |
| last_indexed | 2024-12-16T17:49:00Z |
| publishDate | 2013-09-01 |
| publisher | Université Paris XIII |
| record_format | Article |
| series | Comicalités |
| spelling | doaj.art-f625869742214dfea082e603844c087f2022-12-21T22:22:23ZengUniversité Paris XIIIComicalités2117-49112013-09-01L’artiste de bande dessinée et son miroir : l’autoportrait détournéCatherine MaoWriting about itself does not necessarily come with a strong concern for the representation of itself: self-portrait remains, in general, relatively dispassionate or disembodied. One may wonder if comics, traditionally an art of the character, is open to portraiture and therefore to self-portrait. To allow the reader to recognize it, isn’t it imperative that the character’s face matches first to itself? And doesn’t the art of drawing disappear in front of that compelling objectification? Hovewer, some authors open rich narrative ways by exacerbating this tension between the portrait and the character: constantly updating and renewing the distance between the artist and his model, they define portraiting as an unstable and creative process.http://journals.openedition.org/comicalites/1702autobiographieautoportraitdessindoubleidentificationmodèle |
| spellingShingle | Catherine Mao L’artiste de bande dessinée et son miroir : l’autoportrait détourné Comicalités autobiographie autoportrait dessin double identification modèle |
| title | L’artiste de bande dessinée et son miroir : l’autoportrait détourné |
| title_full | L’artiste de bande dessinée et son miroir : l’autoportrait détourné |
| title_fullStr | L’artiste de bande dessinée et son miroir : l’autoportrait détourné |
| title_full_unstemmed | L’artiste de bande dessinée et son miroir : l’autoportrait détourné |
| title_short | L’artiste de bande dessinée et son miroir : l’autoportrait détourné |
| title_sort | l artiste de bande dessinee et son miroir l autoportrait detourne |
| topic | autobiographie autoportrait dessin double identification modèle |
| url | http://journals.openedition.org/comicalites/1702 |
| work_keys_str_mv | AT catherinemao lartistedebandedessineeetsonmiroirlautoportraitdetourne |