ACTANTIAL MODEL IN THE NELYUBOV MOVIE

Through the characters of Zhenya and Boris, the film Nelyubov (2017) explores the issue of a toxic marriage. The story's theme reflects the complexities of the characters' relationships and the resulting problems. This theme adds intrigue to the film's problem articulation, particular...

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Main Authors: Jasmine Disca Haryadi, Hendra Kaprisma
Format: Article
Language:English
Published: Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Surakarta 2021-07-01
Series:Capture
Subjects:
Online Access:https://jurnal.isi-ska.ac.id/index.php/capture/article/view/3252
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author Jasmine Disca Haryadi
Hendra Kaprisma
author_facet Jasmine Disca Haryadi
Hendra Kaprisma
author_sort Jasmine Disca Haryadi
collection DOAJ
description Through the characters of Zhenya and Boris, the film Nelyubov (2017) explores the issue of a toxic marriage. The story's theme reflects the complexities of the characters' relationships and the resulting problems. This theme adds intrigue to the film's problem articulation, particularly how the film's conflict can be constructed. Accordingly, this study seeks to identify the actant schemes created in the Nelyubov film. This study examines the location of individuals in the film using Algirdas Julien Greimas' Actantial Model theory. Further, this article employs Mills' Discourse Analysis and Smith's Interpretative Phenomenological Analysis (IPA). The results indicate representations for the subject, object, helper, opposer, sender, and receiver in the Nelyubov film, allowing for the fulfillment of the three kinds of axis: the axis of desire, the axis of power, and the axis of transmission/knowledge. The film's subject is Zhenya, and the object is the happiness he seeks.
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2338-428X
language English
last_indexed 2024-04-13T20:40:18Z
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spelling doaj.art-f62622f5eb754349b0927b051759cda92022-12-22T02:30:54ZengJurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) SurakartaCapture2086-308X2338-428X2021-07-0112216017510.33153/capture.v12i2.32522723ACTANTIAL MODEL IN THE NELYUBOV MOVIEJasmine Disca Haryadi0Hendra Kaprisma1Universitas IndonesiaUniversitas IndonesiaThrough the characters of Zhenya and Boris, the film Nelyubov (2017) explores the issue of a toxic marriage. The story's theme reflects the complexities of the characters' relationships and the resulting problems. This theme adds intrigue to the film's problem articulation, particularly how the film's conflict can be constructed. Accordingly, this study seeks to identify the actant schemes created in the Nelyubov film. This study examines the location of individuals in the film using Algirdas Julien Greimas' Actantial Model theory. Further, this article employs Mills' Discourse Analysis and Smith's Interpretative Phenomenological Analysis (IPA). The results indicate representations for the subject, object, helper, opposer, sender, and receiver in the Nelyubov film, allowing for the fulfillment of the three kinds of axis: the axis of desire, the axis of power, and the axis of transmission/knowledge. The film's subject is Zhenya, and the object is the happiness he seeks.https://jurnal.isi-ska.ac.id/index.php/capture/article/view/3252movienelyubovrussiaactantial model
spellingShingle Jasmine Disca Haryadi
Hendra Kaprisma
ACTANTIAL MODEL IN THE NELYUBOV MOVIE
Capture
movie
nelyubov
russia
actantial model
title ACTANTIAL MODEL IN THE NELYUBOV MOVIE
title_full ACTANTIAL MODEL IN THE NELYUBOV MOVIE
title_fullStr ACTANTIAL MODEL IN THE NELYUBOV MOVIE
title_full_unstemmed ACTANTIAL MODEL IN THE NELYUBOV MOVIE
title_short ACTANTIAL MODEL IN THE NELYUBOV MOVIE
title_sort actantial model in the nelyubov movie
topic movie
nelyubov
russia
actantial model
url https://jurnal.isi-ska.ac.id/index.php/capture/article/view/3252
work_keys_str_mv AT jasminediscaharyadi actantialmodelinthenelyubovmovie
AT hendrakaprisma actantialmodelinthenelyubovmovie