Pluralité de “spuntos” et formativité audiotactile : un regard sur l’improvisation musicale collective
This paper looks at the interactional-improvisational aesthetic experience based on Luigi Pareyson’s notions of “formativity” and “spunto” as well as on the concepts and the taxonomy of Vincenzo Caporaletti’s audiotactile formativity theory. On the theoretical ground, we propose a deeper investigati...
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| Format: | Article |
| Language: | English |
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Milano University Press
2015-12-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/6661 |
| _version_ | 1797726338579169280 |
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| author | Fabiano Araújo Costa |
| author_facet | Fabiano Araújo Costa |
| author_sort | Fabiano Araújo Costa |
| collection | DOAJ |
| description | This paper looks at the interactional-improvisational aesthetic experience based on Luigi Pareyson’s notions of “formativity” and “spunto” as well as on the concepts and the taxonomy of Vincenzo Caporaletti’s audiotactile formativity theory. On the theoretical ground, we propose a deeper investigation of the key concepts in the audio tactil phenomenology, such as the “audiotactile principle” [ATP] and the “audiotactile conceptual schemes”. Original concepts for the study of musical interaction are also developed, noticeably the notion of the “interactional formative space” [IFS]. |
| first_indexed | 2024-03-12T10:44:09Z |
| format | Article |
| id | doaj.art-f6438d04928b4ad4ac94e3c3e7c3446e |
| institution | Directory Open Access Journal |
| issn | 2039-9251 |
| language | English |
| last_indexed | 2024-03-12T10:44:09Z |
| publishDate | 2015-12-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Itinera |
| spelling | doaj.art-f6438d04928b4ad4ac94e3c3e7c3446e2023-09-02T07:48:36ZengMilano University PressItinera2039-92512015-12-011010.13130/2039-9251/6661Pluralité de “spuntos” et formativité audiotactile : un regard sur l’improvisation musicale collectiveFabiano Araújo Costa0Universidade Federal do Espirito SantoThis paper looks at the interactional-improvisational aesthetic experience based on Luigi Pareyson’s notions of “formativity” and “spunto” as well as on the concepts and the taxonomy of Vincenzo Caporaletti’s audiotactile formativity theory. On the theoretical ground, we propose a deeper investigation of the key concepts in the audio tactil phenomenology, such as the “audiotactile principle” [ATP] and the “audiotactile conceptual schemes”. Original concepts for the study of musical interaction are also developed, noticeably the notion of the “interactional formative space” [IFS].https://riviste.unimi.it/index.php/itinera/article/view/6661 |
| spellingShingle | Fabiano Araújo Costa Pluralité de “spuntos” et formativité audiotactile : un regard sur l’improvisation musicale collective Itinera |
| title | Pluralité de “spuntos” et formativité audiotactile : un regard sur l’improvisation musicale collective |
| title_full | Pluralité de “spuntos” et formativité audiotactile : un regard sur l’improvisation musicale collective |
| title_fullStr | Pluralité de “spuntos” et formativité audiotactile : un regard sur l’improvisation musicale collective |
| title_full_unstemmed | Pluralité de “spuntos” et formativité audiotactile : un regard sur l’improvisation musicale collective |
| title_short | Pluralité de “spuntos” et formativité audiotactile : un regard sur l’improvisation musicale collective |
| title_sort | pluralite de spuntos et formativite audiotactile un regard sur l improvisation musicale collective |
| url | https://riviste.unimi.it/index.php/itinera/article/view/6661 |
| work_keys_str_mv | AT fabianoaraujocosta pluralitedespuntosetformativiteaudiotactileunregardsurlimprovisationmusicalecollective |