Verosimiglianza storica vs memoria creativa in El prodigioso príncipe transilvano
In the Spanish theatre of the Golden Age, political propaganda and the consequent needto propose heroes conforming to the prevailing political-religious ideology to the public of corrales de comedia were almost always conditioning the creative process. This is also the case of El prodigioso príncipe...
Main Author: | Federica Cappelli |
---|---|
Format: | Article |
Language: | English |
Published: |
Babes-Bolyai University, Cluj-Napoca
2023-06-01
|
Series: | Caietele Echinox |
Subjects: | |
Online Access: | http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2023/06/CaieteEchinox44-2023-p.45-60.pdf |
Similar Items
-
Foreign Musicians at the Transylvanian Court of Sigismund Báthory
by: Peter Király
Published: (2017-12-01) -
The prince as a Jesuit, the king as an abbot. The “monastic” theme in the iconography of John II Casimir
by: Agnieszka Skrodzka
Published: (2016-12-01) -
Role of Vehicle Astrology in contemporary life Expectancy
by: Dr.P.Radhakrishnan
Published: (2020-12-01) -
Triunfos del valor de España en defensa de Melilla: dramatizando el primer conflicto diplomático hispano-marroquí
by: Pablo Cabezón Gimón
Published: (2021-12-01) -
O jogo mimético na Odisseia, de Homero, e em A odisseia de Penélope, de Margaret Atwood
by: Edcleberton Modesto, et al.
Published: (2023-06-01)