Modernismos divergentes (1910-1915): las dramaturgias musicales del “malogrado” Usandizaga
José María Usandizaga’s (1887-1915) recognition as a composer has been based mainly on two operatic masterpieces: Mendi-Mendiyan (Bilbao, 1910) and, especially, Las golondrinas (Madrid, 1914). Yet, his personal legacy kept at the Basque Music Archive-ERESBIL, together with some historical reports, r...
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| Format: | Article |
| Language: | English |
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Pontificia Universidad Católica de Chile
2022-12-01
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| Series: | Resonancias |
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| Online Access: | https://resonancias.uc.cl/n-51/modernismos-divergentes-1910-1915-las-dramaturgias-musicales-del-malogrado-usandizaga/ |
| _version_ | 1797683975046561792 |
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| author | Mario Lerena |
| author_facet | Mario Lerena |
| author_sort | Mario Lerena |
| collection | DOAJ |
| description | José María Usandizaga’s (1887-1915) recognition as a composer has been based mainly on two operatic masterpieces: Mendi-Mendiyan (Bilbao, 1910) and, especially, Las golondrinas (Madrid, 1914). Yet, his personal legacy kept at the Basque Music Archive-ERESBIL, together with some historical reports, records many failed or posthumous projects for the stage –such as his known opera La llama or the “lyric comedy” Bitz. Based on those unpublished documents, we contextually analyze such repertoire's dramaturgical and stylistic hallmarks. This evinces a tenacious aim to succeed in theatrical milieus, adapting his production to current cultural demands, from nationalist opera to a modernist ‘art theatre,’ and even cheap and cheerful ‘género ínfimo.’ Moreover, some critical clues about Spanish musical Modernismo are verified –such as its ambiguous link to global artistic trends and its disjunctive turning point at the time of Usandizaga’s death. |
| first_indexed | 2024-03-12T00:23:39Z |
| format | Article |
| id | doaj.art-f73fa1e7b7d94e7e9a5d1b2077319d42 |
| institution | Directory Open Access Journal |
| issn | 0717-3474 0719-5702 |
| language | English |
| last_indexed | 2024-03-12T00:23:39Z |
| publishDate | 2022-12-01 |
| publisher | Pontificia Universidad Católica de Chile |
| record_format | Article |
| series | Resonancias |
| spelling | doaj.art-f73fa1e7b7d94e7e9a5d1b2077319d422023-09-15T12:06:24ZengPontificia Universidad Católica de ChileResonancias0717-34740719-57022022-12-012651356210.7764/res.2022.51.3Modernismos divergentes (1910-1915): las dramaturgias musicales del “malogrado” UsandizagaMario Lerena0Conservatorio Juan Crisóstomo de Arriaga (Bilbao) José María Usandizaga’s (1887-1915) recognition as a composer has been based mainly on two operatic masterpieces: Mendi-Mendiyan (Bilbao, 1910) and, especially, Las golondrinas (Madrid, 1914). Yet, his personal legacy kept at the Basque Music Archive-ERESBIL, together with some historical reports, records many failed or posthumous projects for the stage –such as his known opera La llama or the “lyric comedy” Bitz. Based on those unpublished documents, we contextually analyze such repertoire's dramaturgical and stylistic hallmarks. This evinces a tenacious aim to succeed in theatrical milieus, adapting his production to current cultural demands, from nationalist opera to a modernist ‘art theatre,’ and even cheap and cheerful ‘género ínfimo.’ Moreover, some critical clues about Spanish musical Modernismo are verified –such as its ambiguous link to global artistic trends and its disjunctive turning point at the time of Usandizaga’s death.https://resonancias.uc.cl/n-51/modernismos-divergentes-1910-1915-las-dramaturgias-musicales-del-malogrado-usandizaga/modernismospanish operazarzuelagénero ínfimoballet russesbasque music |
| spellingShingle | Mario Lerena Modernismos divergentes (1910-1915): las dramaturgias musicales del “malogrado” Usandizaga Resonancias modernismo spanish opera zarzuela género ínfimo ballet russes basque music |
| title | Modernismos divergentes (1910-1915): las dramaturgias musicales del “malogrado” Usandizaga |
| title_full | Modernismos divergentes (1910-1915): las dramaturgias musicales del “malogrado” Usandizaga |
| title_fullStr | Modernismos divergentes (1910-1915): las dramaturgias musicales del “malogrado” Usandizaga |
| title_full_unstemmed | Modernismos divergentes (1910-1915): las dramaturgias musicales del “malogrado” Usandizaga |
| title_short | Modernismos divergentes (1910-1915): las dramaturgias musicales del “malogrado” Usandizaga |
| title_sort | modernismos divergentes 1910 1915 las dramaturgias musicales del malogrado usandizaga |
| topic | modernismo spanish opera zarzuela género ínfimo ballet russes basque music |
| url | https://resonancias.uc.cl/n-51/modernismos-divergentes-1910-1915-las-dramaturgias-musicales-del-malogrado-usandizaga/ |
| work_keys_str_mv | AT mariolerena modernismosdivergentes19101915lasdramaturgiasmusicalesdelmalogradousandizaga |