Poetry as erasure in Carlfriedrich Claus and Ana Hatherly

Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume co...

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Main Author: André Luiz do Amaral
Format: Article
Language:deu
Published: Universidade de São Paulo 2017-11-01
Series:Pandaemonium Germanicum: Revista de Estudos Germanísticos
Subjects:
Online Access:https://www.revistas.usp.br/pg/article/view/140880
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author André Luiz do Amaral
author_facet André Luiz do Amaral
author_sort André Luiz do Amaral
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description Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism.
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spelling doaj.art-f750c826a5bd47e4b7618b8260c5f0532022-12-21T18:13:07ZdeuUniversidade de São PauloPandaemonium Germanicum: Revista de Estudos Germanísticos1414-19061982-88372017-11-012133Poetry as erasure in Carlfriedrich Claus and Ana HatherlyAndré Luiz do AmaralCarlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism.https://www.revistas.usp.br/pg/article/view/140880Experimental PoetryConcrete PoetryVisual PoetryPoetry CriticismTheory of Poetry.
spellingShingle André Luiz do Amaral
Poetry as erasure in Carlfriedrich Claus and Ana Hatherly
Pandaemonium Germanicum: Revista de Estudos Germanísticos
Experimental Poetry
Concrete Poetry
Visual Poetry
Poetry Criticism
Theory of Poetry.
title Poetry as erasure in Carlfriedrich Claus and Ana Hatherly
title_full Poetry as erasure in Carlfriedrich Claus and Ana Hatherly
title_fullStr Poetry as erasure in Carlfriedrich Claus and Ana Hatherly
title_full_unstemmed Poetry as erasure in Carlfriedrich Claus and Ana Hatherly
title_short Poetry as erasure in Carlfriedrich Claus and Ana Hatherly
title_sort poetry as erasure in carlfriedrich claus and ana hatherly
topic Experimental Poetry
Concrete Poetry
Visual Poetry
Poetry Criticism
Theory of Poetry.
url https://www.revistas.usp.br/pg/article/view/140880
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