Poetry as erasure in Carlfriedrich Claus and Ana Hatherly
Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume co...
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Format: | Article |
Language: | deu |
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Universidade de São Paulo
2017-11-01
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Series: | Pandaemonium Germanicum: Revista de Estudos Germanísticos |
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Online Access: | https://www.revistas.usp.br/pg/article/view/140880 |
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author | André Luiz do Amaral |
author_facet | André Luiz do Amaral |
author_sort | André Luiz do Amaral |
collection | DOAJ |
description | Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism. |
first_indexed | 2024-12-22T20:49:51Z |
format | Article |
id | doaj.art-f750c826a5bd47e4b7618b8260c5f053 |
institution | Directory Open Access Journal |
issn | 1414-1906 1982-8837 |
language | deu |
last_indexed | 2024-12-22T20:49:51Z |
publishDate | 2017-11-01 |
publisher | Universidade de São Paulo |
record_format | Article |
series | Pandaemonium Germanicum: Revista de Estudos Germanísticos |
spelling | doaj.art-f750c826a5bd47e4b7618b8260c5f0532022-12-21T18:13:07ZdeuUniversidade de São PauloPandaemonium Germanicum: Revista de Estudos Germanísticos1414-19061982-88372017-11-012133Poetry as erasure in Carlfriedrich Claus and Ana HatherlyAndré Luiz do AmaralCarlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism.https://www.revistas.usp.br/pg/article/view/140880Experimental PoetryConcrete PoetryVisual PoetryPoetry CriticismTheory of Poetry. |
spellingShingle | André Luiz do Amaral Poetry as erasure in Carlfriedrich Claus and Ana Hatherly Pandaemonium Germanicum: Revista de Estudos Germanísticos Experimental Poetry Concrete Poetry Visual Poetry Poetry Criticism Theory of Poetry. |
title | Poetry as erasure in Carlfriedrich Claus and Ana Hatherly |
title_full | Poetry as erasure in Carlfriedrich Claus and Ana Hatherly |
title_fullStr | Poetry as erasure in Carlfriedrich Claus and Ana Hatherly |
title_full_unstemmed | Poetry as erasure in Carlfriedrich Claus and Ana Hatherly |
title_short | Poetry as erasure in Carlfriedrich Claus and Ana Hatherly |
title_sort | poetry as erasure in carlfriedrich claus and ana hatherly |
topic | Experimental Poetry Concrete Poetry Visual Poetry Poetry Criticism Theory of Poetry. |
url | https://www.revistas.usp.br/pg/article/view/140880 |
work_keys_str_mv | AT andreluizdoamaral poetryaserasureincarlfriedrichclausandanahatherly |