Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or at...
Հիմնական հեղինակ: | David Temperley |
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Ձևաչափ: | Հոդված |
Լեզու: | English |
Հրապարակվել է: |
The Ohio State University Libraries
2006-09-01
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Շարք: | Empirical Musicology Review |
Խորագրեր: | |
Առցանց հասանելիություն: | https://kb.osu.edu/dspace/handle/1811/24079 |
Նմանատիպ նյութեր
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Pitch Frames as Melodic Archetypes
: William Thomson
Հրապարակվել է: (2006-09-01) -
Familiar Tonal Context Improves Accuracy of Pitch Interval Perception
: Jackson E. Graves, և այլն
Հրապարակվել է: (2017-10-01) -
Response to David Temperley's Commentary
: William Thomson
Հրապարակվել է: (2006-09-01) -
A Dynamical Model of Pitch Memory Provides an Improved Basis for Implied Harmony Estimation
: Ji Chul Kim, և այլն
Հրապարակվել է: (2017-05-01) -
Piano in the intonation process of tonally unstable and non-tonal melodies in teaching Solfège
: Vidicki Elizabeta
Հրապարակվել է: (2015-01-01)