Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"

Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"

While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or at...

书目详细资料
主要作者:	David Temperley
格式:	文件
语言:	English
出版:	The Ohio State University Libraries 2006-09-01
丛编:	Empirical Musicology Review
主题:	perception tonality modality melody harmony pitch space temporal
在线阅读:	https://kb.osu.edu/dspace/handle/1811/24079

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