David on Film. Il pensiero e la funzione dell’autore Lynch in Duran Duran: Unstaged
The essay aims at focusing on the current theoretical (or conceptual) framework of David Lynch. This theoretical framework is based on the relationship between the cinema and other media. The main subjects of the analysis are the aesthetic principles, the narrative structure, the digital technology...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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University of Bologna
2015-11-01
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| Series: | Cinergie |
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| Online Access: | https://cinergie.unibo.it/article/view/6910 |
| _version_ | 1819089645774831616 |
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| author | Marco Teti |
| author_facet | Marco Teti |
| author_sort | Marco Teti |
| collection | DOAJ |
| description | The essay aims at focusing on the current theoretical (or conceptual) framework of David Lynch. This theoretical framework is based on the relationship between the cinema and other media. The main subjects of the analysis are the aesthetic principles, the narrative structure, the digital technology and the expressive language of Duran Duran: Unstaged (2011), a very representative film. Finally the essay dwells on the marketing strategy developed by the producers of Duran Duran: Unstaged and the role of David Lynch. |
| first_indexed | 2024-12-21T22:11:14Z |
| format | Article |
| id | doaj.art-f781ee5e80cd48b884330572c3671203 |
| institution | Directory Open Access Journal |
| issn | 2280-9481 |
| language | English |
| last_indexed | 2024-12-21T22:11:14Z |
| publishDate | 2015-11-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Cinergie |
| spelling | doaj.art-f781ee5e80cd48b884330572c36712032022-12-21T18:48:34ZengUniversity of BolognaCinergie2280-94812015-11-014810811710.6092/issn.2280-9481/69106259David on Film. Il pensiero e la funzione dell’autore Lynch in Duran Duran: UnstagedMarco Teti0Università degli Studi di FerraraThe essay aims at focusing on the current theoretical (or conceptual) framework of David Lynch. This theoretical framework is based on the relationship between the cinema and other media. The main subjects of the analysis are the aesthetic principles, the narrative structure, the digital technology and the expressive language of Duran Duran: Unstaged (2011), a very representative film. Finally the essay dwells on the marketing strategy developed by the producers of Duran Duran: Unstaged and the role of David Lynch.https://cinergie.unibo.it/article/view/6910LynchtechnologyDuran DuranDuran Duran Unstaged |
| spellingShingle | Marco Teti David on Film. Il pensiero e la funzione dell’autore Lynch in Duran Duran: Unstaged Cinergie Lynch technology Duran Duran Duran Duran Unstaged |
| title | David on Film. Il pensiero e la funzione dell’autore Lynch in Duran Duran: Unstaged |
| title_full | David on Film. Il pensiero e la funzione dell’autore Lynch in Duran Duran: Unstaged |
| title_fullStr | David on Film. Il pensiero e la funzione dell’autore Lynch in Duran Duran: Unstaged |
| title_full_unstemmed | David on Film. Il pensiero e la funzione dell’autore Lynch in Duran Duran: Unstaged |
| title_short | David on Film. Il pensiero e la funzione dell’autore Lynch in Duran Duran: Unstaged |
| title_sort | david on film il pensiero e la funzione dell autore lynch in duran duran unstaged |
| topic | Lynch technology Duran Duran Duran Duran Unstaged |
| url | https://cinergie.unibo.it/article/view/6910 |
| work_keys_str_mv | AT marcoteti davidonfilmilpensieroelafunzionedellautorelynchinduranduranunstaged |