IMAGEM DE UMA ESCRITORA E UMA ESCRITORA DE IMAGENS: AUTOBIOGRAFIA E FICÇÃO EM AGUSTINA BESSA-LUÍS
The separation between fictional and confessional literature is very subtle in Agustina Bessa-Luís. It draws attention to the abundance of autobiographical traits present on the fictional texts of the writer and to the relevance given to the author, making it a fundamental element to the constitutio...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Estadual do Suodeste da Bahia
2010-06-01
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| Series: | Fólio |
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| Online Access: | http://periodicos.uesb.br/index.php/folio/article/view/26/267 |
| Summary: | The separation between fictional and confessional literature is very subtle in Agustina Bessa-Luís. It draws attention to the abundance of autobiographical traits present on the fictional texts of the writer and to the relevance given to the author, making it a fundamental element to the constitution of the memory subject. It seemed to me interesting to study the novels Dentes de rato and Vento, areia e amoras bravas, considering which aspects promote the reading of these works as fiction ,without, therefore, neglecting the utobiographical residues that highlight them. My reflections of thinking in this article are based on the thought of the French theorist Philippe Lejeune. |
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| ISSN: | 1808-3099 2176-4182 |