“The Art of Writing Posthumous Papers”: Kierkegaard and the Spectral Audience

The aim of this article is to develop a postmetaphysical conception of reading by following Kierkegaard’s Either/Or Part I (1843) through such Derridian concepts as secret, hospitality, and spectrality. The work focuses on the three essays addressed to the Symparanekromenoi (“the community of the de...

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Main Author: Juan Evaristo Valls Boix
Format: Article
Language:English
Published: Maria Curie-Sklodowska University 2017-10-01
Series:Avant
Subjects:
Online Access:http://avant.edu.pl/wp-content/uploads/Valls-Boix-The-Art-of-Writing.pdf
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author Juan Evaristo Valls Boix
author_facet Juan Evaristo Valls Boix
author_sort Juan Evaristo Valls Boix
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description The aim of this article is to develop a postmetaphysical conception of reading by following Kierkegaard’s Either/Or Part I (1843) through such Derridian concepts as secret, hospitality, and spectrality. The work focuses on the three essays addressed to the Symparanekromenoi (“the community of the dead”), a fellowship neither young nor old with an aphoristic way of life (2010b, pp. 137–225) that can be understood as a figure of alterity. Special attention is paid to paratextual features of the book: the texts are actually presented as old papers found in a secretary desk by a pseudonymous editor (“Victor Eremita”), which suggests that every text is a posthumous paper, that is to say, it will always be read after the death of its author. Instead of finding a solid author who holds the semantic weight of the text, these papers are based in a blank of sense, a specter, a secret: if they are sustained on its author, then they are sustained in a mystery, not in a sort of revelation of meaning.
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spelling doaj.art-f7963b8100164c48a74878de201d1bad2023-12-02T13:36:33ZengMaria Curie-Sklodowska UniversityAvant2082-67102017-10-0181516210.26913/80202017.0112.0004“The Art of Writing Posthumous Papers”: Kierkegaard and the Spectral AudienceJuan Evaristo Valls BoixThe aim of this article is to develop a postmetaphysical conception of reading by following Kierkegaard’s Either/Or Part I (1843) through such Derridian concepts as secret, hospitality, and spectrality. The work focuses on the three essays addressed to the Symparanekromenoi (“the community of the dead”), a fellowship neither young nor old with an aphoristic way of life (2010b, pp. 137–225) that can be understood as a figure of alterity. Special attention is paid to paratextual features of the book: the texts are actually presented as old papers found in a secretary desk by a pseudonymous editor (“Victor Eremita”), which suggests that every text is a posthumous paper, that is to say, it will always be read after the death of its author. Instead of finding a solid author who holds the semantic weight of the text, these papers are based in a blank of sense, a specter, a secret: if they are sustained on its author, then they are sustained in a mystery, not in a sort of revelation of meaning.http://avant.edu.pl/wp-content/uploads/Valls-Boix-The-Art-of-Writing.pdfKierkegaardspecteralteritymetaphysics of readingauthor
spellingShingle Juan Evaristo Valls Boix
“The Art of Writing Posthumous Papers”: Kierkegaard and the Spectral Audience
Avant
Kierkegaard
specter
alterity
metaphysics of reading
author
title “The Art of Writing Posthumous Papers”: Kierkegaard and the Spectral Audience
title_full “The Art of Writing Posthumous Papers”: Kierkegaard and the Spectral Audience
title_fullStr “The Art of Writing Posthumous Papers”: Kierkegaard and the Spectral Audience
title_full_unstemmed “The Art of Writing Posthumous Papers”: Kierkegaard and the Spectral Audience
title_short “The Art of Writing Posthumous Papers”: Kierkegaard and the Spectral Audience
title_sort the art of writing posthumous papers kierkegaard and the spectral audience
topic Kierkegaard
specter
alterity
metaphysics of reading
author
url http://avant.edu.pl/wp-content/uploads/Valls-Boix-The-Art-of-Writing.pdf
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