Embroided Portraits in the Romanian Medieval Art

If the artistic value of the Romanian medieval embroidery is obvious, it is no less real its documentary value. Most embroided portraits are made on liturgical pieces and they are a proof of the relationship of the rulers with the Orthodox Church. The position of the characters is a mute way of comm...

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Main Author: Ecaterina Marghidan
Format: Article
Language:deu
Published: Artes 2015-05-01
Series:Anastasis: Research in Medieval Culture and Art
Subjects:
Online Access:http://anastasis-review.ro/wp-content/uploads/2016/09/14-Ina-Margidan-BDT.pdf
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author Ecaterina Marghidan
author_facet Ecaterina Marghidan
author_sort Ecaterina Marghidan
collection DOAJ
description If the artistic value of the Romanian medieval embroidery is obvious, it is no less real its documentary value. Most embroided portraits are made on liturgical pieces and they are a proof of the relationship of the rulers with the Orthodox Church. The position of the characters is a mute way of communicating the status that the voievod had. The vertical rigid representations, kneeling, the gestures of the palms and elbows, the beneficence objects, the way characters are grouped, the proportion or their placement in the work can be symbolically interpreted depending on the type of the Liturgical item on which the embroidery was done.
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spelling doaj.art-f7de52c7db8e4ccda8e0b5bff12170962022-12-22T03:42:04ZdeuArtesAnastasis: Research in Medieval Culture and Art2392-862X2392-94722015-05-01II1234251Embroided Portraits in the Romanian Medieval ArtEcaterina Marghidan0Assist. Prof. „George Enescu” National University of Arts of Iași, România.If the artistic value of the Romanian medieval embroidery is obvious, it is no less real its documentary value. Most embroided portraits are made on liturgical pieces and they are a proof of the relationship of the rulers with the Orthodox Church. The position of the characters is a mute way of communicating the status that the voievod had. The vertical rigid representations, kneeling, the gestures of the palms and elbows, the beneficence objects, the way characters are grouped, the proportion or their placement in the work can be symbolically interpreted depending on the type of the Liturgical item on which the embroidery was done.http://anastasis-review.ro/wp-content/uploads/2016/09/14-Ina-Margidan-BDT.pdfmedieval embroideryvoievodal portraitssymbolic gestures
spellingShingle Ecaterina Marghidan
Embroided Portraits in the Romanian Medieval Art
Anastasis: Research in Medieval Culture and Art
medieval embroidery
voievodal portraits
symbolic gestures
title Embroided Portraits in the Romanian Medieval Art
title_full Embroided Portraits in the Romanian Medieval Art
title_fullStr Embroided Portraits in the Romanian Medieval Art
title_full_unstemmed Embroided Portraits in the Romanian Medieval Art
title_short Embroided Portraits in the Romanian Medieval Art
title_sort embroided portraits in the romanian medieval art
topic medieval embroidery
voievodal portraits
symbolic gestures
url http://anastasis-review.ro/wp-content/uploads/2016/09/14-Ina-Margidan-BDT.pdf
work_keys_str_mv AT ecaterinamarghidan embroidedportraitsintheromanianmedievalart