Embroided Portraits in the Romanian Medieval Art
If the artistic value of the Romanian medieval embroidery is obvious, it is no less real its documentary value. Most embroided portraits are made on liturgical pieces and they are a proof of the relationship of the rulers with the Orthodox Church. The position of the characters is a mute way of comm...
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Format: | Article |
Language: | deu |
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Artes
2015-05-01
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Series: | Anastasis: Research in Medieval Culture and Art |
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Online Access: | http://anastasis-review.ro/wp-content/uploads/2016/09/14-Ina-Margidan-BDT.pdf |
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author | Ecaterina Marghidan |
author_facet | Ecaterina Marghidan |
author_sort | Ecaterina Marghidan |
collection | DOAJ |
description | If the artistic value of the Romanian medieval embroidery is obvious, it is no less real its documentary value. Most embroided portraits are made on liturgical pieces and they are a proof of the relationship of the rulers with the Orthodox Church. The position of the characters is a mute way of communicating the status that the voievod had. The vertical rigid representations, kneeling, the gestures of the palms and elbows, the beneficence objects, the way characters are grouped, the proportion or their placement in the work can be symbolically interpreted depending on the type of the Liturgical item on which the embroidery was done. |
first_indexed | 2024-04-12T07:32:00Z |
format | Article |
id | doaj.art-f7de52c7db8e4ccda8e0b5bff1217096 |
institution | Directory Open Access Journal |
issn | 2392-862X 2392-9472 |
language | deu |
last_indexed | 2024-04-12T07:32:00Z |
publishDate | 2015-05-01 |
publisher | Artes |
record_format | Article |
series | Anastasis: Research in Medieval Culture and Art |
spelling | doaj.art-f7de52c7db8e4ccda8e0b5bff12170962022-12-22T03:42:04ZdeuArtesAnastasis: Research in Medieval Culture and Art2392-862X2392-94722015-05-01II1234251Embroided Portraits in the Romanian Medieval ArtEcaterina Marghidan0Assist. Prof. „George Enescu” National University of Arts of Iași, România.If the artistic value of the Romanian medieval embroidery is obvious, it is no less real its documentary value. Most embroided portraits are made on liturgical pieces and they are a proof of the relationship of the rulers with the Orthodox Church. The position of the characters is a mute way of communicating the status that the voievod had. The vertical rigid representations, kneeling, the gestures of the palms and elbows, the beneficence objects, the way characters are grouped, the proportion or their placement in the work can be symbolically interpreted depending on the type of the Liturgical item on which the embroidery was done.http://anastasis-review.ro/wp-content/uploads/2016/09/14-Ina-Margidan-BDT.pdfmedieval embroideryvoievodal portraitssymbolic gestures |
spellingShingle | Ecaterina Marghidan Embroided Portraits in the Romanian Medieval Art Anastasis: Research in Medieval Culture and Art medieval embroidery voievodal portraits symbolic gestures |
title | Embroided Portraits in the Romanian Medieval Art |
title_full | Embroided Portraits in the Romanian Medieval Art |
title_fullStr | Embroided Portraits in the Romanian Medieval Art |
title_full_unstemmed | Embroided Portraits in the Romanian Medieval Art |
title_short | Embroided Portraits in the Romanian Medieval Art |
title_sort | embroided portraits in the romanian medieval art |
topic | medieval embroidery voievodal portraits symbolic gestures |
url | http://anastasis-review.ro/wp-content/uploads/2016/09/14-Ina-Margidan-BDT.pdf |
work_keys_str_mv | AT ecaterinamarghidan embroidedportraitsintheromanianmedievalart |