The Oceanic Feeling in Painterly Creativity

The oceanic feeling is a frequent topic of discussion in both creativity research and aesthetics. Characterized by a sensation of self-boundary dissolution, the feeling has been reported to involve experiences of fusion with various objects, including works of art. In this article, I discuss the o...

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Main Author: Jussi Antti Saarinen
Format: Article
Language:English
Published: Contemporary Aesthetics, Inc. 2014-01-01
Series:Contemporary Aesthetics
Subjects:
Online Access:http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=704
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author Jussi Antti Saarinen
author_facet Jussi Antti Saarinen
author_sort Jussi Antti Saarinen
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description The oceanic feeling is a frequent topic of discussion in both creativity research and aesthetics. Characterized by a sensation of self-boundary dissolution, the feeling has been reported to involve experiences of fusion with various objects, including works of art. In this article, I discuss the oceanic feeling in the specific context of painterly creativity. I begin by arguing that the oceanic feeling cannot be classified as an emotion, mood, or bodily feeling, in the established definitions of these terms. I then introduce philosopher Matthew Ratcliffe’s theory of existential feelings to help formulate a more accurate view of the oceanic feeling. Specifically, I suggest that oceanic feelings should be classified as shifts in existential feeling. In conclusion, I briefly discuss the implications of my account of the oceanic feeling for the more general pursuits of painterly creativity and artistic self-transformation.
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spelling doaj.art-f7e4a03365a248ec87bb9d3362d8972b2022-12-22T03:42:04ZengContemporary Aesthetics, Inc.Contemporary Aesthetics1932-84781932-84782014-01-0112The Oceanic Feeling in Painterly CreativityJussi Antti SaarinenThe oceanic feeling is a frequent topic of discussion in both creativity research and aesthetics. Characterized by a sensation of self-boundary dissolution, the feeling has been reported to involve experiences of fusion with various objects, including works of art. In this article, I discuss the oceanic feeling in the specific context of painterly creativity. I begin by arguing that the oceanic feeling cannot be classified as an emotion, mood, or bodily feeling, in the established definitions of these terms. I then introduce philosopher Matthew Ratcliffe’s theory of existential feelings to help formulate a more accurate view of the oceanic feeling. Specifically, I suggest that oceanic feelings should be classified as shifts in existential feeling. In conclusion, I briefly discuss the implications of my account of the oceanic feeling for the more general pursuits of painterly creativity and artistic self-transformation.http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=704existential feelingoceanic feelingpainterly creativity
spellingShingle Jussi Antti Saarinen
The Oceanic Feeling in Painterly Creativity
Contemporary Aesthetics
existential feeling
oceanic feeling
painterly creativity
title The Oceanic Feeling in Painterly Creativity
title_full The Oceanic Feeling in Painterly Creativity
title_fullStr The Oceanic Feeling in Painterly Creativity
title_full_unstemmed The Oceanic Feeling in Painterly Creativity
title_short The Oceanic Feeling in Painterly Creativity
title_sort oceanic feeling in painterly creativity
topic existential feeling
oceanic feeling
painterly creativity
url http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=704
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