Aesthetic logic of Communicative Rationality in Habermas’s Thoughts and Its Relation with Kant's Critique of the Power of Judgment and Adorno's Modern Art

This paper aims to provide an aesthetic foundation for Jürgen Habermas’s theory of “Communicative Rationality.” It argues that Immanuel Kant's Critique of the Power of Judgment and his unique understanding of aesthetics is efficiently useful to illustrating the logic by which Habermas’s innovat...

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Bibliographic Details
Main Author: Abdolmajeed Moballeghi
Format: Article
Language:English
Published: University of Tabriz, Faculty of Literature and Forigen Languages 2014-06-01
Series:Journal of Philosophical Investigations
Subjects:
Online Access:http://philosophy.tabrizu.ac.ir/article_3385_375.html
Description
Summary:This paper aims to provide an aesthetic foundation for Jürgen Habermas’s theory of “Communicative Rationality.” It argues that Immanuel Kant's Critique of the Power of Judgment and his unique understanding of aesthetics is efficiently useful to illustrating the logic by which Habermas’s innovative theory of communicative rationality. In addition, it investigates the claimed relation between Theodor Adorno’s explanation of independent modern art and the Habermas’s solutions for getting over the unwelcomed self-alienation process within the contemporary society. Finally, it suggests that Adorno’s attention to the independent art, unlike the Kant’s explanation of aesthetics, is not helpful in shedding light on hidden aesthetic aspects of “communicative rationality.”
ISSN:2251-7960
2423-4419