A Patch-work Screen : la preuve par le manuscrit
In 1723, Jacobite writer Jane Barker published a sequel to her first autobiographical novel Love Intrigues, shifting from a straightforward monodic narrative to a hybrid « patch-work » of manuscript poems and vividly realistic reminiscences, set in a whimsical framing narrative. This paper examines...
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| Format: | Article |
| Language: | English |
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Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
2013-12-01
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| Series: | XVII-XVIII |
| Online Access: | http://journals.openedition.org/1718/529 |
| _version_ | 1818389142259630080 |
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| author | Constance Lacroix |
| author_facet | Constance Lacroix |
| author_sort | Constance Lacroix |
| collection | DOAJ |
| description | In 1723, Jacobite writer Jane Barker published a sequel to her first autobiographical novel Love Intrigues, shifting from a straightforward monodic narrative to a hybrid « patch-work » of manuscript poems and vividly realistic reminiscences, set in a whimsical framing narrative. This paper examines the interplay between print and manuscript as a response to the major narrative challenges of the Gildon / Defoe controversy and of the South Sea Bubble, after which commercial literature and speculative imagination were viewed with more than ordinary suspicion. |
| first_indexed | 2024-12-14T04:37:02Z |
| format | Article |
| id | doaj.art-f8071c9d0ba74b7381e9787b63f6f47f |
| institution | Directory Open Access Journal |
| issn | 0291-3798 2117-590X |
| language | English |
| last_indexed | 2024-12-14T04:37:02Z |
| publishDate | 2013-12-01 |
| publisher | Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles |
| record_format | Article |
| series | XVII-XVIII |
| spelling | doaj.art-f8071c9d0ba74b7381e9787b63f6f47f2022-12-21T23:16:56ZengSociété d'Etudes Anglo-Américaines des XVIIe et XVIIIe sièclesXVII-XVIII0291-37982117-590X2013-12-017024726410.4000/1718.529A Patch-work Screen : la preuve par le manuscritConstance LacroixIn 1723, Jacobite writer Jane Barker published a sequel to her first autobiographical novel Love Intrigues, shifting from a straightforward monodic narrative to a hybrid « patch-work » of manuscript poems and vividly realistic reminiscences, set in a whimsical framing narrative. This paper examines the interplay between print and manuscript as a response to the major narrative challenges of the Gildon / Defoe controversy and of the South Sea Bubble, after which commercial literature and speculative imagination were viewed with more than ordinary suspicion.http://journals.openedition.org/1718/529 |
| spellingShingle | Constance Lacroix A Patch-work Screen : la preuve par le manuscrit XVII-XVIII |
| title | A Patch-work Screen : la preuve par le manuscrit |
| title_full | A Patch-work Screen : la preuve par le manuscrit |
| title_fullStr | A Patch-work Screen : la preuve par le manuscrit |
| title_full_unstemmed | A Patch-work Screen : la preuve par le manuscrit |
| title_short | A Patch-work Screen : la preuve par le manuscrit |
| title_sort | patch work screen la preuve par le manuscrit |
| url | http://journals.openedition.org/1718/529 |
| work_keys_str_mv | AT constancelacroix apatchworkscreenlapreuveparlemanuscrit AT constancelacroix patchworkscreenlapreuveparlemanuscrit |