The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 Lockdown

The introduction of social distancing, as part of efforts to try and curb the spread of the COVID-19 pandemic, has brought about drastic disruption to the world of the performing arts. In the UK the majority of professional orchestral musicians are freelance and therefore self-employed. These player...

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Main Authors: Susanna Cohen, Jane Ginsborg
Format: Article
Language:English
Published: Frontiers Media S.A. 2021-04-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2021.645967/full
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author Susanna Cohen
Jane Ginsborg
author_facet Susanna Cohen
Jane Ginsborg
author_sort Susanna Cohen
collection DOAJ
description The introduction of social distancing, as part of efforts to try and curb the spread of the COVID-19 pandemic, has brought about drastic disruption to the world of the performing arts. In the UK the majority of professional orchestral musicians are freelance and therefore self-employed. These players, previously engaged in enjoyable, busy, successful, portfolio careers, are currently unable to earn a living carrying out their everyday work of performing music, and their future working lives are surrounded by great uncertainty. The aim of the present study was to examine how established professional musicians are experiencing this period, and to look for similarities and differences between the experiences of musicians in the middle of their performing careers (aged 35–45), with those of older players (aged 53 and over). Single semi-structured interviews were carried out over Zoom with 24 freelance, self-employed orchestral musicians; 12 mid-career musicians aged 35–45, and 12 seasoned musicians aged 53 and over. Thematic analysis identified themes common to both groups: the loss of a much-loved performing career, missing music making and colleagues, and anxiety about the future of the music profession. It also identified differences between the two groups: challenges to their identity as a musician, the extent of their anxiety about finances, the extent of their emotional distress, attitudes toward practicing and engaging in collaborative music making, and confusion over future career plans. Findings are discussed with reference to lifespan models of musicians' career development, the PERMA model of wellbeing, and the concept of resilience.
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spelling doaj.art-f867d007b97243b19cad282916d07f632022-12-21T23:01:55ZengFrontiers Media S.A.Frontiers in Psychology1664-10782021-04-011210.3389/fpsyg.2021.645967645967The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 LockdownSusanna Cohen0Jane Ginsborg1Interdisciplinary Department of Social Sciences, Bar Ilan University, Ramat Gan, IsraelCentre for Music Performance Research, Royal Northern College of Music, Manchester, United KingdomThe introduction of social distancing, as part of efforts to try and curb the spread of the COVID-19 pandemic, has brought about drastic disruption to the world of the performing arts. In the UK the majority of professional orchestral musicians are freelance and therefore self-employed. These players, previously engaged in enjoyable, busy, successful, portfolio careers, are currently unable to earn a living carrying out their everyday work of performing music, and their future working lives are surrounded by great uncertainty. The aim of the present study was to examine how established professional musicians are experiencing this period, and to look for similarities and differences between the experiences of musicians in the middle of their performing careers (aged 35–45), with those of older players (aged 53 and over). Single semi-structured interviews were carried out over Zoom with 24 freelance, self-employed orchestral musicians; 12 mid-career musicians aged 35–45, and 12 seasoned musicians aged 53 and over. Thematic analysis identified themes common to both groups: the loss of a much-loved performing career, missing music making and colleagues, and anxiety about the future of the music profession. It also identified differences between the two groups: challenges to their identity as a musician, the extent of their anxiety about finances, the extent of their emotional distress, attitudes toward practicing and engaging in collaborative music making, and confusion over future career plans. Findings are discussed with reference to lifespan models of musicians' career development, the PERMA model of wellbeing, and the concept of resilience.https://www.frontiersin.org/articles/10.3389/fpsyg.2021.645967/fullcoronavirusmusic performancefreelance orchestral musiciansensemakingself-employedcareer
spellingShingle Susanna Cohen
Jane Ginsborg
The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 Lockdown
Frontiers in Psychology
coronavirus
music performance
freelance orchestral musician
sensemaking
self-employed
career
title The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 Lockdown
title_full The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 Lockdown
title_fullStr The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 Lockdown
title_full_unstemmed The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 Lockdown
title_short The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 Lockdown
title_sort experiences of mid career and seasoned orchestral musicians in the uk during the first covid 19 lockdown
topic coronavirus
music performance
freelance orchestral musician
sensemaking
self-employed
career
url https://www.frontiersin.org/articles/10.3389/fpsyg.2021.645967/full
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