Nzinga Mbandi: from story to myth

The figure of Queen Nzinga Mbandi continues to be appreciated in fictional and/or historical narratives as a myth of postcolonial Angolan identity, allowing a continuous approach as to what concerns the modes of cultural representation. In this article, the works of Manuel Pedro Pacavira, Nzinga Mba...

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Main Authors: Orquídea Moreira Ribeiro, Fernando Alberto Torres Moreira, Susana Pimenta
Format: Article
Language:English
Published: Universidade Católica Portuguesa 2019-01-01
Series:Journal of Science and Technology of the Arts
Subjects:
Online Access:https://revistas.ucp.pt/index.php/jsta/article/view/7325
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author Orquídea Moreira Ribeiro
Fernando Alberto Torres Moreira
Susana Pimenta
author_facet Orquídea Moreira Ribeiro
Fernando Alberto Torres Moreira
Susana Pimenta
author_sort Orquídea Moreira Ribeiro
collection DOAJ
description The figure of Queen Nzinga Mbandi continues to be appreciated in fictional and/or historical narratives as a myth of postcolonial Angolan identity, allowing a continuous approach as to what concerns the modes of cultural representation. In this article, the works of Manuel Pedro Pacavira, Nzinga Mbandi (1975), Pepetela, A gloriosa família: o tempo dos flamengos (1997) and José Eduardo Agualusa, A Rainha Ginga e de como os africanos inventaram o mundo (2014) will be analyzed, as these authors, in different moments of the recent Angolan history, look at this emblematic figure, drawing on historical information produced by Cavazzi, Cadornega or Jean Louis Castilhon, among others. The works now in analysis reiterate the mythical figure of resistance to the European invaders, which was Nzinga Mbandi, or a strong orientation towards the nationalist exaltation supported by it, an evident strategy which, by the rescue of figures and cultural practices, is defined as a means to affirm negritude.
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spelling doaj.art-f867d1f8e3ad48fe97c5b8e70f517a8a2022-12-21T22:39:30ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882019-01-0111110.7559/citarj.v11i1.594Nzinga Mbandi: from story to mythOrquídea Moreira RibeiroFernando Alberto Torres MoreiraSusana PimentaThe figure of Queen Nzinga Mbandi continues to be appreciated in fictional and/or historical narratives as a myth of postcolonial Angolan identity, allowing a continuous approach as to what concerns the modes of cultural representation. In this article, the works of Manuel Pedro Pacavira, Nzinga Mbandi (1975), Pepetela, A gloriosa família: o tempo dos flamengos (1997) and José Eduardo Agualusa, A Rainha Ginga e de como os africanos inventaram o mundo (2014) will be analyzed, as these authors, in different moments of the recent Angolan history, look at this emblematic figure, drawing on historical information produced by Cavazzi, Cadornega or Jean Louis Castilhon, among others. The works now in analysis reiterate the mythical figure of resistance to the European invaders, which was Nzinga Mbandi, or a strong orientation towards the nationalist exaltation supported by it, an evident strategy which, by the rescue of figures and cultural practices, is defined as a means to affirm negritude.https://revistas.ucp.pt/index.php/jsta/article/view/7325NzingaMemoryIdentityPepetelaPacaviraAgualusa
spellingShingle Orquídea Moreira Ribeiro
Fernando Alberto Torres Moreira
Susana Pimenta
Nzinga Mbandi: from story to myth
Journal of Science and Technology of the Arts
Nzinga
Memory
Identity
Pepetela
Pacavira
Agualusa
title Nzinga Mbandi: from story to myth
title_full Nzinga Mbandi: from story to myth
title_fullStr Nzinga Mbandi: from story to myth
title_full_unstemmed Nzinga Mbandi: from story to myth
title_short Nzinga Mbandi: from story to myth
title_sort nzinga mbandi from story to myth
topic Nzinga
Memory
Identity
Pepetela
Pacavira
Agualusa
url https://revistas.ucp.pt/index.php/jsta/article/view/7325
work_keys_str_mv AT orquideamoreiraribeiro nzingambandifromstorytomyth
AT fernandoalbertotorresmoreira nzingambandifromstorytomyth
AT susanapimenta nzingambandifromstorytomyth