Vanessa Place: The Death of the Poetry Book

Many of Vanessa Place’s books proceed from flirting with an end wish: they seem fascinated with the moment of interruption in cycles or processes construed as infinite, like ending an endless sentence (Dies: A Sentence), or navigating the megapolis’s labyrinth (La Medusa). While one can see her work...

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Main Author: Hélène Aji
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2022-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/13611
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author Hélène Aji
author_facet Hélène Aji
author_sort Hélène Aji
collection DOAJ
description Many of Vanessa Place’s books proceed from flirting with an end wish: they seem fascinated with the moment of interruption in cycles or processes construed as infinite, like ending an endless sentence (Dies: A Sentence), or navigating the megapolis’s labyrinth (La Medusa). While one can see her work as the manifestation of a retreat from creativity in keeping with her claim that she does not write, but rather, works as a medium to circulate text, one can also approach it as an extreme type of experimentation with expectations, conventions, and the general codes of social order. It is this article’s contention that Vanessa Place systematically appropriates the modes of communication of the digital age to undermine the ideologies at work beneath the surface of all kinds of texts and text formats, through the production of books that re-form and recontextualize these texts to convey their ethical shortcomings.
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spelling doaj.art-f8abce6fa92f4571873f43ff5dbd8df12023-04-04T09:48:53ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022022-12-013310.4000/sillagescritiques.13611Vanessa Place: The Death of the Poetry BookHélène AjiMany of Vanessa Place’s books proceed from flirting with an end wish: they seem fascinated with the moment of interruption in cycles or processes construed as infinite, like ending an endless sentence (Dies: A Sentence), or navigating the megapolis’s labyrinth (La Medusa). While one can see her work as the manifestation of a retreat from creativity in keeping with her claim that she does not write, but rather, works as a medium to circulate text, one can also approach it as an extreme type of experimentation with expectations, conventions, and the general codes of social order. It is this article’s contention that Vanessa Place systematically appropriates the modes of communication of the digital age to undermine the ideologies at work beneath the surface of all kinds of texts and text formats, through the production of books that re-form and recontextualize these texts to convey their ethical shortcomings.http://journals.openedition.org/sillagescritiques/13611American contemporary poetryPlace (Vanessa)digital writingconceptual writingpoetic form
spellingShingle Hélène Aji
Vanessa Place: The Death of the Poetry Book
Sillages Critiques
American contemporary poetry
Place (Vanessa)
digital writing
conceptual writing
poetic form
title Vanessa Place: The Death of the Poetry Book
title_full Vanessa Place: The Death of the Poetry Book
title_fullStr Vanessa Place: The Death of the Poetry Book
title_full_unstemmed Vanessa Place: The Death of the Poetry Book
title_short Vanessa Place: The Death of the Poetry Book
title_sort vanessa place the death of the poetry book
topic American contemporary poetry
Place (Vanessa)
digital writing
conceptual writing
poetic form
url http://journals.openedition.org/sillagescritiques/13611
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