Teaching the Whitefella—The Role of Cultural Tourism in Opening Remote Indigenous Art Centres to Non-Indigenous Visitors
This article explores how a remote Aboriginal-owned and -run art centre, Ikuntji Artists in Haasts Bluff, has developed grassroots-level cultural tourism. While not many remote Indigenous art centres engage with the tourism industry, Aboriginal tourism engagement has only recently been identified by...
Main Author: | Chrischona Schmidt |
---|---|
Format: | Article |
Language: | English |
Published: |
MDPI AG
2019-10-01
|
Series: | Arts |
Subjects: | |
Online Access: | https://www.mdpi.com/2076-0752/8/4/135 |
Similar Items
-
MANAGEMENT OF INDIGENOUS RESOURCES FOR PROMOTION OF INDIGENOUS TOURISM: A STUDY OF SELECTED TRIBAL DISTRICTS OF MADHYA PRADESH
by: P. RAJA, et al.
Published: (2022-12-01) -
Defying Empire: The Third National Indigenous Art Triennial: National Gallery of Australia, May 26 – September 10, 2017
by: Marina Tyquiengco
Published: (2017-11-01) -
INDIGENOUS TOURISM DEVELOPMENT IN RUSSIA
by: A. P. Chemchieva
Published: (2015-11-01) -
Australian Indigenous Art Innovation and Culturepreneurship in Practice: Insights for Cultural Tourism
by: Denis R. Loaney
Published: (2019-04-01) -
Indigenous Agency in Australian Bark Painting
by: Marie Geissler
Published: (2022-09-01)