Jean Painlevé et le cinéma animalier
In this article, the work of filmmaker/researcher, and precursor to the scientific vulgarization film, Jean Painlevé, is a pretext to understanding the mouvance of genres. Here, we will see emerge, each time in a particular socio-historical context, the process of hybridization and further, will sho...
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| Format: | Article |
| Language: | fra |
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Université Laval
2005-10-01
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| Series: | Communication |
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| Online Access: | http://journals.openedition.org/communication/3281 |
| Summary: | In this article, the work of filmmaker/researcher, and precursor to the scientific vulgarization film, Jean Painlevé, is a pretext to understanding the mouvance of genres. Here, we will see emerge, each time in a particular socio-historical context, the process of hybridization and further, will show the discrete even dissimulated dimension. In order to do this, we will operate according to pluridisciplinary methods linked to the semiotics of the image, the semiotics of cinema, narratology, and aesthetics considered in its aesthetic form. |
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| ISSN: | 1189-3788 1920-7344 |