La historia de los perdedores en el teatro de Luis Enrique Gutierrez Ortiz Monasterio

This paper introduces two recent plays by Mexican playwright Luis Enrique Gutiérrez Ortiz Monasterio: Presidio y muerte de Don Guillén de Lampart and Cayendo con Victoriano. Both of them deal with the significant processes of Mexican history which were widely commemorated during the year 2010: the i...

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Main Author: Daniel Vázquez Touriño
Format: Article
Language:Catalan
Published: Masaryk University 2013-07-01
Series:Études romanes de Brno
Subjects:
Online Access:https://journals.phil.muni.cz/erb/article/view/26112
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author Daniel Vázquez Touriño
author_facet Daniel Vázquez Touriño
author_sort Daniel Vázquez Touriño
collection DOAJ
description This paper introduces two recent plays by Mexican playwright Luis Enrique Gutiérrez Ortiz Monasterio: Presidio y muerte de Don Guillén de Lampart and Cayendo con Victoriano. Both of them deal with the significant processes of Mexican history which were widely commemorated during the year 2010: the independence from Spain and the Revolution. The aim of this article is to show how, thanks to certain postdramatic and narrative aspects of the texts, both main characters –a hero (Lampart) and a villain (Huertas)– are presented in a very less "black and white" way than traditionally, and, even more important, how this theatre claims that the importance of history resides in the reflexion that produces on today's audience.
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spelling doaj.art-f90595926469475bb011f7e3b726e2fb2023-08-17T12:32:57ZcatMasaryk UniversityÉtudes romanes de Brno1803-73992336-44162013-07-01332La historia de los perdedores en el teatro de Luis Enrique Gutierrez Ortiz MonasterioDaniel Vázquez TouriñoThis paper introduces two recent plays by Mexican playwright Luis Enrique Gutiérrez Ortiz Monasterio: Presidio y muerte de Don Guillén de Lampart and Cayendo con Victoriano. Both of them deal with the significant processes of Mexican history which were widely commemorated during the year 2010: the independence from Spain and the Revolution. The aim of this article is to show how, thanks to certain postdramatic and narrative aspects of the texts, both main characters –a hero (Lampart) and a villain (Huertas)– are presented in a very less "black and white" way than traditionally, and, even more important, how this theatre claims that the importance of history resides in the reflexion that produces on today's audience.https://journals.phil.muni.cz/erb/article/view/26112Enrique Gutiérrez Ortiz MonasterioBicentenarypostdramatic theatrenarrative theatrehistorical dramaGuillén de Lampart
spellingShingle Daniel Vázquez Touriño
La historia de los perdedores en el teatro de Luis Enrique Gutierrez Ortiz Monasterio
Études romanes de Brno
Enrique Gutiérrez Ortiz Monasterio
Bicentenary
postdramatic theatre
narrative theatre
historical drama
Guillén de Lampart
title La historia de los perdedores en el teatro de Luis Enrique Gutierrez Ortiz Monasterio
title_full La historia de los perdedores en el teatro de Luis Enrique Gutierrez Ortiz Monasterio
title_fullStr La historia de los perdedores en el teatro de Luis Enrique Gutierrez Ortiz Monasterio
title_full_unstemmed La historia de los perdedores en el teatro de Luis Enrique Gutierrez Ortiz Monasterio
title_short La historia de los perdedores en el teatro de Luis Enrique Gutierrez Ortiz Monasterio
title_sort la historia de los perdedores en el teatro de luis enrique gutierrez ortiz monasterio
topic Enrique Gutiérrez Ortiz Monasterio
Bicentenary
postdramatic theatre
narrative theatre
historical drama
Guillén de Lampart
url https://journals.phil.muni.cz/erb/article/view/26112
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