Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology
This paper focuses on two film productions of the Shakespearean play Hamlet (1600-1601), both made in Brazil in the 1970s. It is my contention that A herança (“The Inheritance”), by Ozualdo Candeias (1970), and O jogo da vida e da morte (“The Game of Life and Death”), by Mario Kuperman (1971), cons...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2023-05-01
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| Series: | Cadernos de Tradução |
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| Online Access: | https://periodicos.ufsc.br/index.php/traducao/article/view/92576 |
| _version_ | 1797820138090659840 |
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| author | Marcel Amorim |
| author_facet | Marcel Amorim |
| author_sort | Marcel Amorim |
| collection | DOAJ |
| description |
This paper focuses on two film productions of the Shakespearean play Hamlet (1600-1601), both made in Brazil in the 1970s. It is my contention that A herança (“The Inheritance”), by Ozualdo Candeias (1970), and O jogo da vida e da morte (“The Game of Life and Death”), by Mario Kuperman (1971), constitute intertextual works which can be understood as transcultural, anthropophagic adaptations of the Shakespearean drama.
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| first_indexed | 2024-03-13T09:32:58Z |
| format | Article |
| id | doaj.art-f90b776099514fc59b6906c9adeffc69 |
| institution | Directory Open Access Journal |
| issn | 1414-526X 2175-7968 |
| language | English |
| last_indexed | 2024-03-13T09:32:58Z |
| publishDate | 2023-05-01 |
| publisher | Universidade Federal de Santa Catarina |
| record_format | Article |
| series | Cadernos de Tradução |
| spelling | doaj.art-f90b776099514fc59b6906c9adeffc692023-05-25T21:34:35ZengUniversidade Federal de Santa CatarinaCadernos de Tradução1414-526X2175-79682023-05-0143110.5007/2175-7968.2023.e92576Devouring Hamlet: Cultural Anthropophagy as an Adaptation MethodologyMarcel Amorim0Federal University of Rio de Janeiro This paper focuses on two film productions of the Shakespearean play Hamlet (1600-1601), both made in Brazil in the 1970s. It is my contention that A herança (“The Inheritance”), by Ozualdo Candeias (1970), and O jogo da vida e da morte (“The Game of Life and Death”), by Mario Kuperman (1971), constitute intertextual works which can be understood as transcultural, anthropophagic adaptations of the Shakespearean drama. https://periodicos.ufsc.br/index.php/traducao/article/view/92576AdaptationCultural AnthropophagyHamletWilliam Shakespeare |
| spellingShingle | Marcel Amorim Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology Cadernos de Tradução Adaptation Cultural Anthropophagy Hamlet William Shakespeare |
| title | Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology |
| title_full | Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology |
| title_fullStr | Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology |
| title_full_unstemmed | Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology |
| title_short | Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology |
| title_sort | devouring hamlet cultural anthropophagy as an adaptation methodology |
| topic | Adaptation Cultural Anthropophagy Hamlet William Shakespeare |
| url | https://periodicos.ufsc.br/index.php/traducao/article/view/92576 |
| work_keys_str_mv | AT marcelamorim devouringhamletculturalanthropophagyasanadaptationmethodology |