Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology
This paper focuses on two film productions of the Shakespearean play Hamlet (1600-1601), both made in Brazil in the 1970s. It is my contention that A herança (“The Inheritance”), by Ozualdo Candeias (1970), and O jogo da vida e da morte (“The Game of Life and Death”), by Mario Kuperman (1971), cons...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2023-05-01
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| Series: | Cadernos de Tradução |
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| Online Access: | https://periodicos.ufsc.br/index.php/traducao/article/view/92576 |