The Viola and its Sounds: Exploration of Expressive Aspects in the <i>Concerto for Viola and Orchestra</i> by Antônio Borges-Cunha

Based on observations gained while preparing for the performance of the Concerto for Viola and Orchestra by Antônio Borges-Cunha (2007) the aim is to investigate how the composer explored the sonorous possibilities of the solo viola in this work by questioning the relationship between the composer’...

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Main Authors: Ricardo Lobo Kubala, Emerson Luiz de Biaggi
Format: Article
Language:Portuguese
Published: Associação Nacional de Pesquisa e Pós-Graduação em Música 2012-12-01
Series:Opus
Subjects:
Online Access:http://www.anppom.com.br/revista/index.php/opus/article/view/164
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author Ricardo Lobo Kubala
Emerson Luiz de Biaggi
author_facet Ricardo Lobo Kubala
Emerson Luiz de Biaggi
author_sort Ricardo Lobo Kubala
collection DOAJ
description Based on observations gained while preparing for the performance of the Concerto for Viola and Orchestra by Antônio Borges-Cunha (2007) the aim is to investigate how the composer explored the sonorous possibilities of the solo viola in this work by questioning the relationship between the composer’s stylistic attributes and the fundamentals of instrumental technique. In order to enhance the means of discussing the topic, concepts like “tradition”– as it relates to the viola specifically – and “timbre” are also analyzed. In conclusion, there is a predominance of writing that provokes an atmosphere associated to the idea of tradition and that, even in passages where the prevailing sonority moves away from this notion, instrumental technique stays within tradition.
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spelling doaj.art-f9183da848854c8e8f2519ee953d43d62022-12-22T01:19:37ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172012-12-0118289110140The Viola and its Sounds: Exploration of Expressive Aspects in the <i>Concerto for Viola and Orchestra</i> by Antônio Borges-CunhaRicardo Lobo Kubala0Emerson Luiz de Biaggi1UNESPUNICAMPBased on observations gained while preparing for the performance of the Concerto for Viola and Orchestra by Antônio Borges-Cunha (2007) the aim is to investigate how the composer explored the sonorous possibilities of the solo viola in this work by questioning the relationship between the composer’s stylistic attributes and the fundamentals of instrumental technique. In order to enhance the means of discussing the topic, concepts like “tradition”– as it relates to the viola specifically – and “timbre” are also analyzed. In conclusion, there is a predominance of writing that provokes an atmosphere associated to the idea of tradition and that, even in passages where the prevailing sonority moves away from this notion, instrumental technique stays within tradition.http://www.anppom.com.br/revista/index.php/opus/article/view/164Música contemporâneaMúsica brasileira<i>Performance</i>Viola.
spellingShingle Ricardo Lobo Kubala
Emerson Luiz de Biaggi
The Viola and its Sounds: Exploration of Expressive Aspects in the <i>Concerto for Viola and Orchestra</i> by Antônio Borges-Cunha
Opus
Música contemporânea
Música brasileira
<i>Performance</i>
Viola.
title The Viola and its Sounds: Exploration of Expressive Aspects in the <i>Concerto for Viola and Orchestra</i> by Antônio Borges-Cunha
title_full The Viola and its Sounds: Exploration of Expressive Aspects in the <i>Concerto for Viola and Orchestra</i> by Antônio Borges-Cunha
title_fullStr The Viola and its Sounds: Exploration of Expressive Aspects in the <i>Concerto for Viola and Orchestra</i> by Antônio Borges-Cunha
title_full_unstemmed The Viola and its Sounds: Exploration of Expressive Aspects in the <i>Concerto for Viola and Orchestra</i> by Antônio Borges-Cunha
title_short The Viola and its Sounds: Exploration of Expressive Aspects in the <i>Concerto for Viola and Orchestra</i> by Antônio Borges-Cunha
title_sort viola and its sounds exploration of expressive aspects in the i concerto for viola and orchestra i by antonio borges cunha
topic Música contemporânea
Música brasileira
<i>Performance</i>
Viola.
url http://www.anppom.com.br/revista/index.php/opus/article/view/164
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