“The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s Work

Over the span of nine books and some fifteen years, Kenneth Goldsmith, now in his forties, living in New York and working in Philadelphia, unfolds what he calls in turn a poetics of uncreativity and a poetics of boredom. Each text draws from the quotidian in its most minute details to produce text t...

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Main Author: Hélène Aji
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2013-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/3760
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author Hélène Aji
author_facet Hélène Aji
author_sort Hélène Aji
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description Over the span of nine books and some fifteen years, Kenneth Goldsmith, now in his forties, living in New York and working in Philadelphia, unfolds what he calls in turn a poetics of uncreativity and a poetics of boredom. Each text draws from the quotidian in its most minute details to produce text that is either borrowed and collaged or simply transcribed. Boring and uncreative, these are the qualities Goldsmith claims for all these works and others, putting into question the demands of originality and interest that underlie the canon of poetry. This paper interrogates the denial of originality which in actuality initiates a highly original (and ironic) poetic practice.
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spelling doaj.art-f91dbf5a6e784c608b394e1a61668f442022-12-22T03:07:53ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022013-12-0117“The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s WorkHélène AjiOver the span of nine books and some fifteen years, Kenneth Goldsmith, now in his forties, living in New York and working in Philadelphia, unfolds what he calls in turn a poetics of uncreativity and a poetics of boredom. Each text draws from the quotidian in its most minute details to produce text that is either borrowed and collaged or simply transcribed. Boring and uncreative, these are the qualities Goldsmith claims for all these works and others, putting into question the demands of originality and interest that underlie the canon of poetry. This paper interrogates the denial of originality which in actuality initiates a highly original (and ironic) poetic practice.http://journals.openedition.org/sillagescritiques/3760Kenneth GoldsmithAmerican poetryconceptual poetryprocedural poetry
spellingShingle Hélène Aji
“The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s Work
Sillages Critiques
Kenneth Goldsmith
American poetry
conceptual poetry
procedural poetry
title “The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s Work
title_full “The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s Work
title_fullStr “The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s Work
title_full_unstemmed “The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s Work
title_short “The Weather [to]Day”: Overexposure To and Of the Media in Kenneth Goldsmith’s Work
title_sort the weather to day overexposure to and of the media in kenneth goldsmith s work
topic Kenneth Goldsmith
American poetry
conceptual poetry
procedural poetry
url http://journals.openedition.org/sillagescritiques/3760
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