The Dead Walk

Monsters have always enjoyed a significant presence in the human imagination, and religion was instrumental in replacing the physical horror they engendered with that of a moral threat. Zombies, however, are amoral – their motivation purely instinctive and arbitrary, yet they are, perhaps, the most...

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Bibliographic Details
Main Authors: Bill Phillips, Marlene Mendoza
Format: Article
Language:English
Published: Universitat de Barcelona 2014-02-01
Series:Coolabah
Subjects:
Online Access:http://revistes.ub.edu/index.php/coolabah/article/view/15529/18901
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author Bill Phillips
Marlene Mendoza
author_facet Bill Phillips
Marlene Mendoza
author_sort Bill Phillips
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description Monsters have always enjoyed a significant presence in the human imagination, and religion was instrumental in replacing the physical horror they engendered with that of a moral threat. Zombies, however, are amoral – their motivation purely instinctive and arbitrary, yet they are, perhaps, the most loathed of all contemporary monsters. One explanation for this lies in the theory of the uncanny valley, proposed by robotics engineer Masahiro Mori. According to the theory, we reserve our greatest fears for those things which seem most human, yet are not – such as dead bodies. Such a reaction is most likely a survival mechanism to protect us from danger and disease – a mechanism even more essential when the dead rise up and walk. From their beginnings zombies have reflected western societies’ greatest fears – be they of revolutionary Haitians, women, or communists. In recent years the rise in the popularity of the zombie in films, books and television series reflects our fears for the planet, the economy, and of death itself
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spelling doaj.art-f926d2c86d514b59a52e19d3e3f4e36e2022-12-22T01:06:18ZengUniversitat de BarcelonaCoolabah1988-59462014-02-011310711710.1344/co201413107-117The Dead WalkBill Phillips0Marlene Mendoza1Universitat de BarcelonaUniversitat de BarcelonaMonsters have always enjoyed a significant presence in the human imagination, and religion was instrumental in replacing the physical horror they engendered with that of a moral threat. Zombies, however, are amoral – their motivation purely instinctive and arbitrary, yet they are, perhaps, the most loathed of all contemporary monsters. One explanation for this lies in the theory of the uncanny valley, proposed by robotics engineer Masahiro Mori. According to the theory, we reserve our greatest fears for those things which seem most human, yet are not – such as dead bodies. Such a reaction is most likely a survival mechanism to protect us from danger and disease – a mechanism even more essential when the dead rise up and walk. From their beginnings zombies have reflected western societies’ greatest fears – be they of revolutionary Haitians, women, or communists. In recent years the rise in the popularity of the zombie in films, books and television series reflects our fears for the planet, the economy, and of death itselfhttp://revistes.ub.edu/index.php/coolabah/article/view/15529/18901cultural studieszombieshorrormonstersuncanny valley
spellingShingle Bill Phillips
Marlene Mendoza
The Dead Walk
Coolabah
cultural studies
zombies
horror
monsters
uncanny valley
title The Dead Walk
title_full The Dead Walk
title_fullStr The Dead Walk
title_full_unstemmed The Dead Walk
title_short The Dead Walk
title_sort dead walk
topic cultural studies
zombies
horror
monsters
uncanny valley
url http://revistes.ub.edu/index.php/coolabah/article/view/15529/18901
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