Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music
This paper examines the work of English composer and sound designer Delia Derbyshire (1937-2001) in the context of histories of EDM and historical accounts of women in electronic music. Examining the media discourse around Derbyshire, whose reputation has grown significantly since her death, I consi...
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Format: | Article |
Language: | English |
Published: |
University of Huddersfield, Department of Music
2017-11-01
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Series: | Dancecult: Journal of Electronic Dance Music Culture |
Subjects: | |
Online Access: | https://dj.dancecult.net/index.php/dancecult/article/view/958 |
Summary: | This paper examines the work of English composer and sound designer Delia Derbyshire (1937-2001) in the context of histories of EDM and historical accounts of women in electronic music. Examining the media discourse around Derbyshire, whose reputation has grown significantly since her death, I consider how Derbyshire has come to be regarded posthumously as both a pioneering electronic composer and a forerunner of dance music and electronica in the UK. I consider how these identities are related to her gender, and how gender is constructed and expressed in the discourse around her life and work, with reference to the musical-critical phenomenon of hauntology. |
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ISSN: | 1947-5403 |