Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music

This paper examines the work of English composer and sound designer Delia Derbyshire (1937-2001) in the context of histories of EDM and historical accounts of women in electronic music. Examining the media discourse around Derbyshire, whose reputation has grown significantly since her death, I consi...

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Main Author: Frances Morgan
Format: Article
Language:English
Published: University of Huddersfield, Department of Music 2017-11-01
Series:Dancecult: Journal of Electronic Dance Music Culture
Subjects:
Online Access:https://dj.dancecult.net/index.php/dancecult/article/view/958
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author Frances Morgan
author_facet Frances Morgan
author_sort Frances Morgan
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description This paper examines the work of English composer and sound designer Delia Derbyshire (1937-2001) in the context of histories of EDM and historical accounts of women in electronic music. Examining the media discourse around Derbyshire, whose reputation has grown significantly since her death, I consider how Derbyshire has come to be regarded posthumously as both a pioneering electronic composer and a forerunner of dance music and electronica in the UK. I consider how these identities are related to her gender, and how gender is constructed and expressed in the discourse around her life and work, with reference to the musical-critical phenomenon of hauntology.
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spelling doaj.art-f95a2b42d7364fc780f3d2ff564ac54c2023-01-02T06:57:23ZengUniversity of Huddersfield, Department of MusicDancecult: Journal of Electronic Dance Music Culture1947-54032017-11-019192710.12801/1947-5403.2017.09.01.01685Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance MusicFrances Morgan0Royal College of ArtThis paper examines the work of English composer and sound designer Delia Derbyshire (1937-2001) in the context of histories of EDM and historical accounts of women in electronic music. Examining the media discourse around Derbyshire, whose reputation has grown significantly since her death, I consider how Derbyshire has come to be regarded posthumously as both a pioneering electronic composer and a forerunner of dance music and electronica in the UK. I consider how these identities are related to her gender, and how gender is constructed and expressed in the discourse around her life and work, with reference to the musical-critical phenomenon of hauntology.https://dj.dancecult.net/index.php/dancecult/article/view/958Delia DerbyshireBBC Radiophonic Workshopelectronicafeminist historiesarchival practicemusic bloggingmusic journalismhauntologyfan studies
spellingShingle Frances Morgan
Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music
Dancecult: Journal of Electronic Dance Music Culture
Delia Derbyshire
BBC Radiophonic Workshop
electronica
feminist histories
archival practice
music blogging
music journalism
hauntology
fan studies
title Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music
title_full Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music
title_fullStr Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music
title_full_unstemmed Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music
title_short Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music
title_sort delian modes listening for delia derbyshire in histories of electronic dance music
topic Delia Derbyshire
BBC Radiophonic Workshop
electronica
feminist histories
archival practice
music blogging
music journalism
hauntology
fan studies
url https://dj.dancecult.net/index.php/dancecult/article/view/958
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