The ideology of Yugoslav nationalism and primordial modernism in interwar music

In this paper I strive to illuminate the connections between the ideology of Yugoslav nationalism and the discourse on music and music production in the interwar Kingdom of Yugoslavia. In order to comprehend the traits that are germane to the aforementioned practices, I propose the notion of prim...

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Main Author: Atanasovski Srđan
Format: Article
Language:English
Published: Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2011-01-01
Series:Muzikologija
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/1450-9814/2011/1450-98141111235A.pdf
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author Atanasovski Srđan
author_facet Atanasovski Srđan
author_sort Atanasovski Srđan
collection DOAJ
description In this paper I strive to illuminate the connections between the ideology of Yugoslav nationalism and the discourse on music and music production in the interwar Kingdom of Yugoslavia. In order to comprehend the traits that are germane to the aforementioned practices, I propose the notion of primordial modernism. Primordialism was a crucial standpoint for vindicating the existence of a united Yugoslav nation, which was to enclose the „tribes of different histories, religions and even languages. A concern to be modern was also pertinent, as a part of the endeavour to produce a semblance of Yugoslavia as a modern, progressive European state. The paradigm of primordial modernism compromises these distinct tendencies, presupposing that a musical work should be ostensibly modern, but, at the same time, that it should use folk material in a manner that reveals the existence of its deeper, psychological, primitive, prehistoric layers.
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spelling doaj.art-f98124fa116f4077ab2ed9f259cb742f2022-12-22T03:07:49ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142011-01-0120111123525010.2298/MUZ1111235AThe ideology of Yugoslav nationalism and primordial modernism in interwar musicAtanasovski SrđanIn this paper I strive to illuminate the connections between the ideology of Yugoslav nationalism and the discourse on music and music production in the interwar Kingdom of Yugoslavia. In order to comprehend the traits that are germane to the aforementioned practices, I propose the notion of primordial modernism. Primordialism was a crucial standpoint for vindicating the existence of a united Yugoslav nation, which was to enclose the „tribes of different histories, religions and even languages. A concern to be modern was also pertinent, as a part of the endeavour to produce a semblance of Yugoslavia as a modern, progressive European state. The paradigm of primordial modernism compromises these distinct tendencies, presupposing that a musical work should be ostensibly modern, but, at the same time, that it should use folk material in a manner that reveals the existence of its deeper, psychological, primitive, prehistoric layers.http://www.doiserbia.nb.rs/img/doi/1450-9814/2011/1450-98141111235A.pdfPrimordial modernismKingdom of Yugoslaviacultural politicsdiscourse on musicmusic production
spellingShingle Atanasovski Srđan
The ideology of Yugoslav nationalism and primordial modernism in interwar music
Muzikologija
Primordial modernism
Kingdom of Yugoslavia
cultural politics
discourse on music
music production
title The ideology of Yugoslav nationalism and primordial modernism in interwar music
title_full The ideology of Yugoslav nationalism and primordial modernism in interwar music
title_fullStr The ideology of Yugoslav nationalism and primordial modernism in interwar music
title_full_unstemmed The ideology of Yugoslav nationalism and primordial modernism in interwar music
title_short The ideology of Yugoslav nationalism and primordial modernism in interwar music
title_sort ideology of yugoslav nationalism and primordial modernism in interwar music
topic Primordial modernism
Kingdom of Yugoslavia
cultural politics
discourse on music
music production
url http://www.doiserbia.nb.rs/img/doi/1450-9814/2011/1450-98141111235A.pdf
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