Cuerpos monstruosos, biotecnología e identidad de género en Frankissstein (2019), de Jeanette Winterson
En el presente artículo nos proponemos analizar las representaciones del cuerpo fragmentado e intervenido por la técnica y reflexionar acerca de los debates sobre las identidades de género que se observan en Frankissstein (2019), última novela publicada por la autora británica Jeanette Winterson (Ma...
Main Author: | María Estrella |
---|---|
Format: | Article |
Language: | Catalan |
Published: |
Asociación Cultural 452ºF; Universitat de Barcelona
2021-01-01
|
Series: | 452ºF |
Subjects: | |
Online Access: | https://revistes.ub.edu/index.php/452f/article/view/32114 |
Similar Items
-
The Monstrous Cosmos of Jeanette Winterson’s Frankissstein
by: Mojca Krevel
Published: (2021-12-01) -
Underground Manchester as urban palimpsest in Jeanette Winterson’s Frankissstein: A Love Story (2019)
by: Claire Wrobel
Published: (2022-11-01) -
Jeanette Winterson as the Trickster-Artist in Weight
by: Leyla Adiguzel, et al.
Published: (2021-06-01) -
“The paradox of active surrender”: the construction of taste and the education of the sense of sight in the essay “Art Objects” by Jeanette Winterson
by: María Estrella
Published: (2020-03-01) -
Love, the Clock Keeper: The Elusive Nature of Time in Jeanette Winterson’s Work
by: Daniela Šmardová
Published: (2019-12-01)