Principles for Shape Sonification
This commentary starts with a critical reflection on Jensenius and Godøy's sonomotiongrams as a sonification technique to represent movement shapes. Based on this we propose alternative mappings that require less information reduction. Furthermore, design criteria such as invariance, convergenc...
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Format: | Article |
Language: | English |
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The Ohio State University Libraries
2013-12-01
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Series: | Empirical Musicology Review |
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Online Access: | https://doi.org/10.18061/emr.v8i2.3928 |
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author | Thomas Hermann |
author_facet | Thomas Hermann |
author_sort | Thomas Hermann |
collection | DOAJ |
description | This commentary starts with a critical reflection on Jensenius and Godøy's sonomotiongrams as a sonification technique to represent movement shapes. Based on this we propose alternative mappings that require less information reduction. Furthermore, design criteria such as invariance, convergence, and stability are presented and applied to sonomotiongrams. Finally, we formulate necessary conditions for sonifications of movement shapes to support the perception and categorization of shapes, and we propose an experimental procedure to assess and compare movement shapes from auditory representations. |
first_indexed | 2024-04-14T05:32:28Z |
format | Article |
id | doaj.art-f99ce2f2e6194a78af28dba4918b1e3b |
institution | Directory Open Access Journal |
issn | 1559-5749 |
language | English |
last_indexed | 2024-04-14T05:32:28Z |
publishDate | 2013-12-01 |
publisher | The Ohio State University Libraries |
record_format | Article |
series | Empirical Musicology Review |
spelling | doaj.art-f99ce2f2e6194a78af28dba4918b1e3b2022-12-22T02:09:45ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492013-12-0182889110.18061/emr.v8i2.3928Principles for Shape SonificationThomas Hermann0Ambient Intelligence Group, CITEC — Center of Excellence in Cognitive Interaction Technology Bielefeld University, Bielefeld, GermanyThis commentary starts with a critical reflection on Jensenius and Godøy's sonomotiongrams as a sonification technique to represent movement shapes. Based on this we propose alternative mappings that require less information reduction. Furthermore, design criteria such as invariance, convergence, and stability are presented and applied to sonomotiongrams. Finally, we formulate necessary conditions for sonifications of movement shapes to support the perception and categorization of shapes, and we propose an experimental procedure to assess and compare movement shapes from auditory representations.https://doi.org/10.18061/emr.v8i2.3928sonificationparameter-mapping sonificationinvariance |
spellingShingle | Thomas Hermann Principles for Shape Sonification Empirical Musicology Review sonification parameter-mapping sonification invariance |
title | Principles for Shape Sonification |
title_full | Principles for Shape Sonification |
title_fullStr | Principles for Shape Sonification |
title_full_unstemmed | Principles for Shape Sonification |
title_short | Principles for Shape Sonification |
title_sort | principles for shape sonification |
topic | sonification parameter-mapping sonification invariance |
url | https://doi.org/10.18061/emr.v8i2.3928 |
work_keys_str_mv | AT thomashermann principlesforshapesonification |