Byzantine Influence before Byzantinisation: The Tropologion Sinai Greek NE ΜΓ 56+5 Compared with the Georgian and Syriac Melkite Versions

The article examines a selection of hymns of potentially Byzantine origin in the eighth-to-tenth-century manuscripts of the New Tropologion, which was the hymnal of the Anastasis cathedral of Jerusalem and in churches that followed its rite. Such adoption in the rite of Jerusalem represented a Byzan...

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Main Authors: Stig Simeon R. Frøyshov, Aleksandra Nikiforova, Natalia Smelova
Format: Article
Language:English
Published: MDPI AG 2023-10-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/14/11/1363
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author Stig Simeon R. Frøyshov
Aleksandra Nikiforova
Natalia Smelova
author_facet Stig Simeon R. Frøyshov
Aleksandra Nikiforova
Natalia Smelova
author_sort Stig Simeon R. Frøyshov
collection DOAJ
description The article examines a selection of hymns of potentially Byzantine origin in the eighth-to-tenth-century manuscripts of the New Tropologion, which was the hymnal of the Anastasis cathedral of Jerusalem and in churches that followed its rite. Such adoption in the rite of Jerusalem represented a Byzantine influence before the wave of liturgical Byzantinisation that started in the late ninth and tenth centuries. For the first time, three versions of the New Tropologion are studied together: the Greek original and the Syriac and Georgian translations. The Greek Tropologion Sinai MS NE MΓ 56+5 is the primary material, compared with Sinai MS Syriac 48 and several Georgian New Iadgari manuscripts from Sinai. The study identifies one certain Byzantine element in the New Tropologion: parts of the feast of St. John Chrysostom, archbishop of Constantinople, and several probable Byzantine elements: the interpolation of the second ode in three canons by Kosmas of Jerusalem and one by John, and parts of the stichera series Aἱ ἀγγελικαὶ προπορεύεσθε δυνάμεις attributed to Romanos the Melodist. By contrast, the interpolated ode 1 in Kosmas’ canon for Great Saturday seems to be of Palestinian origin, and therefore not a Byzantine loan, contrary to traditional views. The article shows that there is considerable variation between the different versions of the New Tropologion.
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spelling doaj.art-f9de160d5d814dc78dde8d81b37c57562023-11-24T15:03:43ZengMDPI AGReligions2077-14442023-10-011411136310.3390/rel14111363Byzantine Influence before Byzantinisation: The Tropologion Sinai Greek NE ΜΓ 56+5 Compared with the Georgian and Syriac Melkite VersionsStig Simeon R. Frøyshov0Aleksandra Nikiforova1Natalia Smelova2Faculty of Theology, University of Oslo, 0315 Oslo, NorwayInstitute of World Literature, Russian Academy of Sciences, 121069 Moscow, RussiaFaculty of Theology, University of Oslo, 0315 Oslo, NorwayThe article examines a selection of hymns of potentially Byzantine origin in the eighth-to-tenth-century manuscripts of the New Tropologion, which was the hymnal of the Anastasis cathedral of Jerusalem and in churches that followed its rite. Such adoption in the rite of Jerusalem represented a Byzantine influence before the wave of liturgical Byzantinisation that started in the late ninth and tenth centuries. For the first time, three versions of the New Tropologion are studied together: the Greek original and the Syriac and Georgian translations. The Greek Tropologion Sinai MS NE MΓ 56+5 is the primary material, compared with Sinai MS Syriac 48 and several Georgian New Iadgari manuscripts from Sinai. The study identifies one certain Byzantine element in the New Tropologion: parts of the feast of St. John Chrysostom, archbishop of Constantinople, and several probable Byzantine elements: the interpolation of the second ode in three canons by Kosmas of Jerusalem and one by John, and parts of the stichera series Aἱ ἀγγελικαὶ προπορεύεσθε δυνάμεις attributed to Romanos the Melodist. By contrast, the interpolated ode 1 in Kosmas’ canon for Great Saturday seems to be of Palestinian origin, and therefore not a Byzantine loan, contrary to traditional views. The article shows that there is considerable variation between the different versions of the New Tropologion.https://www.mdpi.com/2077-1444/14/11/1363Byzantine liturgyliturgy of JerusalemSyriac Melkite liturgyold Georgian liturgyByzantine hymnographyPalestinian hymnography
spellingShingle Stig Simeon R. Frøyshov
Aleksandra Nikiforova
Natalia Smelova
Byzantine Influence before Byzantinisation: The Tropologion Sinai Greek NE ΜΓ 56+5 Compared with the Georgian and Syriac Melkite Versions
Religions
Byzantine liturgy
liturgy of Jerusalem
Syriac Melkite liturgy
old Georgian liturgy
Byzantine hymnography
Palestinian hymnography
title Byzantine Influence before Byzantinisation: The Tropologion Sinai Greek NE ΜΓ 56+5 Compared with the Georgian and Syriac Melkite Versions
title_full Byzantine Influence before Byzantinisation: The Tropologion Sinai Greek NE ΜΓ 56+5 Compared with the Georgian and Syriac Melkite Versions
title_fullStr Byzantine Influence before Byzantinisation: The Tropologion Sinai Greek NE ΜΓ 56+5 Compared with the Georgian and Syriac Melkite Versions
title_full_unstemmed Byzantine Influence before Byzantinisation: The Tropologion Sinai Greek NE ΜΓ 56+5 Compared with the Georgian and Syriac Melkite Versions
title_short Byzantine Influence before Byzantinisation: The Tropologion Sinai Greek NE ΜΓ 56+5 Compared with the Georgian and Syriac Melkite Versions
title_sort byzantine influence before byzantinisation the tropologion sinai greek ne μγ 56 5 compared with the georgian and syriac melkite versions
topic Byzantine liturgy
liturgy of Jerusalem
Syriac Melkite liturgy
old Georgian liturgy
Byzantine hymnography
Palestinian hymnography
url https://www.mdpi.com/2077-1444/14/11/1363
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