A reading event The Pictorial Third

The word/image relationship, now often thought of as an intermedial feature, is a paradoxical plastic object. It is a kind of apparatus which triggers a “reading event”, provokes the phenomenon of “double exposure” and creates a “double fiction”. It eventually gives rise to the “pictorial third”, an...

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Bibliographic Details
Main Author: Liliane Louvel
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2016-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/5015
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author Liliane Louvel
author_facet Liliane Louvel
author_sort Liliane Louvel
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description The word/image relationship, now often thought of as an intermedial feature, is a paradoxical plastic object. It is a kind of apparatus which triggers a “reading event”, provokes the phenomenon of “double exposure” and creates a “double fiction”. It eventually gives rise to the “pictorial third”, an in-between composite picture resulting from the phenomenological experience of the reading event. The intermedial transaction is an artistic negotiation which works on the oscillating mode, when image bargains its inscription with/in the text and demands transposition. Recent books like The Lazarus Project by A. Hemon or, more well-known now, W.G. Sebald's books include pictures in the texts which cause a suspension in the reader's experience and have to be taken into account per se as images to be “read” while conversely texts are being “seen”. This causes a kind of “syncopation of the visual” which is part of the whole reading event and must be acknowledged by intermedial criticism.
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spelling doaj.art-f9fb1df9fe7444bdaffacc0f1bfbb6ee2022-12-22T00:10:52ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022016-12-0121A reading event The Pictorial ThirdLiliane LouvelThe word/image relationship, now often thought of as an intermedial feature, is a paradoxical plastic object. It is a kind of apparatus which triggers a “reading event”, provokes the phenomenon of “double exposure” and creates a “double fiction”. It eventually gives rise to the “pictorial third”, an in-between composite picture resulting from the phenomenological experience of the reading event. The intermedial transaction is an artistic negotiation which works on the oscillating mode, when image bargains its inscription with/in the text and demands transposition. Recent books like The Lazarus Project by A. Hemon or, more well-known now, W.G. Sebald's books include pictures in the texts which cause a suspension in the reader's experience and have to be taken into account per se as images to be “read” while conversely texts are being “seen”. This causes a kind of “syncopation of the visual” which is part of the whole reading event and must be acknowledged by intermedial criticism.http://journals.openedition.org/sillagescritiques/5015double exposureekphrasisMarcel BroodthaersAleksandar Hemonillusionintermediality
spellingShingle Liliane Louvel
A reading event The Pictorial Third
Sillages Critiques
double exposure
ekphrasis
Marcel Broodthaers
Aleksandar Hemon
illusion
intermediality
title A reading event The Pictorial Third
title_full A reading event The Pictorial Third
title_fullStr A reading event The Pictorial Third
title_full_unstemmed A reading event The Pictorial Third
title_short A reading event The Pictorial Third
title_sort reading event the pictorial third
topic double exposure
ekphrasis
Marcel Broodthaers
Aleksandar Hemon
illusion
intermediality
url http://journals.openedition.org/sillagescritiques/5015
work_keys_str_mv AT lilianelouvel areadingeventthepictorialthird
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