Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fiction

If in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage a...

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Main Author: Rita Terezinha Schmidt
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2008-04-01
Series:Ilha do Desterro
Subjects:
Online Access:http://www.periodicos.ufsc.br/index.php/desterro/article/view/8789
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author Rita Terezinha Schmidt
author_facet Rita Terezinha Schmidt
author_sort Rita Terezinha Schmidt
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description If in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage and daring, expressed a wilful break from the dominant critical discourse of her time as far as her views on the novel were concerned. In numerous reviews and essays in which she examined ither individual authors or particular literary works, Woolf revealed a deep concern with fiction and rendered her thoughts about what she conceived as being its relation to life, its scope, its form as well as about her notions of character and perspective, notions that obviously grew out of her very own fictional practice. If in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage and daring, expressed a wilful break from the dominant critical discourse of her time as far as her views on the novel were concerned. In numerous reviews and essays in which she examined ither individual authors or particular literary works, Woolf revealed a deep concern with fiction and rendered her thoughts about what she conceived as being its relation to life, its scope, its form as well as about her notions of character and perspective, notions that obviously grew out of her very own fictional practice.
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spelling doaj.art-f9fc7af357d149259abbace4cccbbaa52022-12-22T01:40:50ZengUniversidade Federal de Santa CatarinaIlha do Desterro0101-48462175-80262008-04-01024092101Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fictionRita Terezinha SchmidtIf in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage and daring, expressed a wilful break from the dominant critical discourse of her time as far as her views on the novel were concerned. In numerous reviews and essays in which she examined ither individual authors or particular literary works, Woolf revealed a deep concern with fiction and rendered her thoughts about what she conceived as being its relation to life, its scope, its form as well as about her notions of character and perspective, notions that obviously grew out of her very own fictional practice. If in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage and daring, expressed a wilful break from the dominant critical discourse of her time as far as her views on the novel were concerned. In numerous reviews and essays in which she examined ither individual authors or particular literary works, Woolf revealed a deep concern with fiction and rendered her thoughts about what she conceived as being its relation to life, its scope, its form as well as about her notions of character and perspective, notions that obviously grew out of her very own fictional practice.http://www.periodicos.ufsc.br/index.php/desterro/article/view/8789English LanguageEnglish
spellingShingle Rita Terezinha Schmidt
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fiction
Ilha do Desterro
English Language
English
title Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fiction
title_full Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fiction
title_fullStr Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fiction
title_full_unstemmed Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fiction
title_short Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fiction
title_sort virginia woolf s criticism towards theoretical assumptions on the art of fiction virginia woolf s criticism towards theoretical assumptions on the art of fiction
topic English Language
English
url http://www.periodicos.ufsc.br/index.php/desterro/article/view/8789
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