V. Shenderovich. “A Flute Solo”: on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue)
In 2015, “Vremya publishing house” issued “A Flute Solo”, a book by V. Shenderovich, of multigenre and, according to the author of the article, intermedia nature, since its content peculiarities of a political satire and a tragedy, a farce and a fantasy, on the one hand, and some features of music...
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| Format: | Article |
| Language: | Russian |
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Saratov State University
2020-06-01
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| Series: | Жанры речи |
| Subjects: | |
| Online Access: | https://zhanry-rechi.sgu.ru/sites/default/files/146-154_0.pdf |
| _version_ | 1818336374231662592 |
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| author | Lassan, Eleonora |
| author_facet | Lassan, Eleonora |
| author_sort | Lassan, Eleonora |
| collection | DOAJ |
| description | In 2015, “Vremya publishing house” issued “A Flute Solo”, a book by V. Shenderovich, of multigenre and, according to the author of the article, intermedia nature, since its content peculiarities of a political satire and a tragedy, a farce and a fantasy, on the one hand, and some features of musical pieces, a fugue in particular, on the other hand, have merged here. The text was first published in 2012 in the magazine “Polden. XX vek” (“Noon. XX century”), edited by B. Strugatsky, but then it did not receive any significant reaction. Besides, it was staged in “Another Theatre”, where it was defined as a “cabaret show without music or dancing”. Only after the publishing house “Vremya” published it in hardback with numerous illustrations, did rapturous readers’ responses appear. Critics at the same time kept silent almost unanimously. The author of the article provides a detailed characterization of the plot constructed as a grotesque depiction of the reality, and views the text composition as relating the verbal text to a piece of music. The dominant device of the text composition, as the author sees it, is the so called counterpoint – one and the same theme is carried by different voices from “different spaces”, which represent the structure of the modern society. The symbolic value of certain elements, studied within the research, does not allow to agree with the offered by some critics definition of the book as being “desperately hopeless”. The text provides a number of intertextual connections of “A Flute Solo” with world classical literature. The author of the article proves that Viktor Shenderovich’s work falls within the realms of the world cultural tradition, according to which the image of the flute is used as an instrument with the magical power, whose evaluation is ambivalent. It is either the power of making others aspire to the good or the power of taking revenge for the evil. |
| first_indexed | 2024-12-13T14:38:18Z |
| format | Article |
| id | doaj.art-fa1a31db2ec54844a20b601874c99692 |
| institution | Directory Open Access Journal |
| issn | 2311-0740 2311-0759 |
| language | Russian |
| last_indexed | 2024-12-13T14:38:18Z |
| publishDate | 2020-06-01 |
| publisher | Saratov State University |
| record_format | Article |
| series | Жанры речи |
| spelling | doaj.art-fa1a31db2ec54844a20b601874c996922022-12-21T23:41:40ZrusSaratov State UniversityЖанры речи2311-07402311-07592020-06-0126214615410.18500/2311-0740-2020-2-26-146-154V. Shenderovich. “A Flute Solo”: on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue)Lassan, Eleonora0Vilnius University, Vilnius In 2015, “Vremya publishing house” issued “A Flute Solo”, a book by V. Shenderovich, of multigenre and, according to the author of the article, intermedia nature, since its content peculiarities of a political satire and a tragedy, a farce and a fantasy, on the one hand, and some features of musical pieces, a fugue in particular, on the other hand, have merged here. The text was first published in 2012 in the magazine “Polden. XX vek” (“Noon. XX century”), edited by B. Strugatsky, but then it did not receive any significant reaction. Besides, it was staged in “Another Theatre”, where it was defined as a “cabaret show without music or dancing”. Only after the publishing house “Vremya” published it in hardback with numerous illustrations, did rapturous readers’ responses appear. Critics at the same time kept silent almost unanimously. The author of the article provides a detailed characterization of the plot constructed as a grotesque depiction of the reality, and views the text composition as relating the verbal text to a piece of music. The dominant device of the text composition, as the author sees it, is the so called counterpoint – one and the same theme is carried by different voices from “different spaces”, which represent the structure of the modern society. The symbolic value of certain elements, studied within the research, does not allow to agree with the offered by some critics definition of the book as being “desperately hopeless”. The text provides a number of intertextual connections of “A Flute Solo” with world classical literature. The author of the article proves that Viktor Shenderovich’s work falls within the realms of the world cultural tradition, according to which the image of the flute is used as an instrument with the magical power, whose evaluation is ambivalent. It is either the power of making others aspire to the good or the power of taking revenge for the evil.https://zhanry-rechi.sgu.ru/sites/default/files/146-154_0.pdfgenrecompositionpolitical satirecounterpointintermedia textsymbolic text elements |
| spellingShingle | Lassan, Eleonora V. Shenderovich. “A Flute Solo”: on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue) Жанры речи genre composition political satire counterpoint intermedia text symbolic text elements |
| title | V. Shenderovich. “A Flute Solo”: on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue) |
| title_full | V. Shenderovich. “A Flute Solo”: on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue) |
| title_fullStr | V. Shenderovich. “A Flute Solo”: on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue) |
| title_full_unstemmed | V. Shenderovich. “A Flute Solo”: on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue) |
| title_short | V. Shenderovich. “A Flute Solo”: on the Problem of the Genre Definition (between a Wicked Satire and a Literary Fugue) |
| title_sort | v shenderovich a flute solo on the problem of the genre definition between a wicked satire and a literary fugue |
| topic | genre composition political satire counterpoint intermedia text symbolic text elements |
| url | https://zhanry-rechi.sgu.ru/sites/default/files/146-154_0.pdf |
| work_keys_str_mv | AT lassaneleonora vshenderovichaflutesoloontheproblemofthegenredefinitionbetweenawickedsatireandaliteraryfugue |