‘Owing the Comforts of Life to Art’: Elizabeth Helme’s Critical Reception and the Practice of Writing

In the context of the rise of the novel in eighteenth-century Britain, this article examines the understudied production of Elizabeth Helme (c. 1743-1814), who enjoyed a long and successful career as a writer of novels, as a translator and essayist. Special attention will be paid to Helme’s recepti...

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Main Author: Carme Font Paz
Format: Article
Language:deu
Published: Università degli Studi di Milano 2023-02-01
Series:Enthymema
Online Access:https://riviste.unimi.it/index.php/enthymema/article/view/19003
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author Carme Font Paz
author_facet Carme Font Paz
author_sort Carme Font Paz
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description In the context of the rise of the novel in eighteenth-century Britain, this article examines the understudied production of Elizabeth Helme (c. 1743-1814), who enjoyed a long and successful career as a writer of novels, as a translator and essayist. Special attention will be paid to Helme’s reception in the English press and the translations of her novels into Spanish and French.  It will further argue that Helme’s own practice as author, translator, and translated author configured a synergy of knowledge-building that allowed her to articulate her own style as a writer and posed a critical reflection about the art of writing, particularly in her non-fiction work that remains largely unexplored. More generally, Helme’s eclectic approach is indicative of the ways in which eighteenth-century translation and writing practice can foster reflection on literary theory and criticism by confronting the author with the function of their own work.
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spelling doaj.art-faa72ee228ee428b947fe11237130cb32023-02-01T15:10:44ZdeuUniversità degli Studi di MilanoEnthymema2037-24262023-02-013110.54103/2037-2426/19003‘Owing the Comforts of Life to Art’: Elizabeth Helme’s Critical Reception and the Practice of WritingCarme Font Paz In the context of the rise of the novel in eighteenth-century Britain, this article examines the understudied production of Elizabeth Helme (c. 1743-1814), who enjoyed a long and successful career as a writer of novels, as a translator and essayist. Special attention will be paid to Helme’s reception in the English press and the translations of her novels into Spanish and French.  It will further argue that Helme’s own practice as author, translator, and translated author configured a synergy of knowledge-building that allowed her to articulate her own style as a writer and posed a critical reflection about the art of writing, particularly in her non-fiction work that remains largely unexplored. More generally, Helme’s eclectic approach is indicative of the ways in which eighteenth-century translation and writing practice can foster reflection on literary theory and criticism by confronting the author with the function of their own work. https://riviste.unimi.it/index.php/enthymema/article/view/19003
spellingShingle Carme Font Paz
‘Owing the Comforts of Life to Art’: Elizabeth Helme’s Critical Reception and the Practice of Writing
Enthymema
title ‘Owing the Comforts of Life to Art’: Elizabeth Helme’s Critical Reception and the Practice of Writing
title_full ‘Owing the Comforts of Life to Art’: Elizabeth Helme’s Critical Reception and the Practice of Writing
title_fullStr ‘Owing the Comforts of Life to Art’: Elizabeth Helme’s Critical Reception and the Practice of Writing
title_full_unstemmed ‘Owing the Comforts of Life to Art’: Elizabeth Helme’s Critical Reception and the Practice of Writing
title_short ‘Owing the Comforts of Life to Art’: Elizabeth Helme’s Critical Reception and the Practice of Writing
title_sort owing the comforts of life to art elizabeth helme s critical reception and the practice of writing
url https://riviste.unimi.it/index.php/enthymema/article/view/19003
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