Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs
This essay investigates the poetic strategies that Nelly Sachs introduces into her lyrical drama Eli in order to solve the problem of the ethical limitations of Holocaust literary representation in the post-Auschwitz world. Sachs rejects Adorno’s famous dictum and voices the “unspeakable” and the “u...
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Format: | Article |
Language: | deu |
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Milano University Press
2013-11-01
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Series: | Studia theodisca |
Online Access: | https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3296 |
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author | Marco Serio |
author_facet | Marco Serio |
author_sort | Marco Serio |
collection | DOAJ |
description | This essay investigates the poetic strategies that Nelly Sachs introduces into her lyrical drama Eli in order to solve the problem of the ethical limitations of Holocaust literary representation in the post-Auschwitz world. Sachs rejects Adorno’s famous dictum and voices the “unspeakable” and the “unthinkable” through Romantic themes and the Jewish tradition. The shift from “visible” to “invisible” allows her to elaborate the Holocaust, to preserve collective memory, to confirm the destiny of the Jewish people, and to legitimate the role of literature after Auschwitz as a fusion of word and myth, functional to analyzing reality on a critical level. |
first_indexed | 2024-03-12T07:09:45Z |
format | Article |
id | doaj.art-fb652589571847da826ce69b0f47a3a5 |
institution | Directory Open Access Journal |
issn | 1593-2478 2385-2917 |
language | deu |
last_indexed | 2024-03-12T07:09:45Z |
publishDate | 2013-11-01 |
publisher | Milano University Press |
record_format | Article |
series | Studia theodisca |
spelling | doaj.art-fb652589571847da826ce69b0f47a3a52023-09-02T23:16:22ZdeuMilano University PressStudia theodisca1593-24782385-29172013-11-0120012315510.13130/1593-2478/32962910Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly SachsMarco Serio0Università degli Studi di Trento, ItalyThis essay investigates the poetic strategies that Nelly Sachs introduces into her lyrical drama Eli in order to solve the problem of the ethical limitations of Holocaust literary representation in the post-Auschwitz world. Sachs rejects Adorno’s famous dictum and voices the “unspeakable” and the “unthinkable” through Romantic themes and the Jewish tradition. The shift from “visible” to “invisible” allows her to elaborate the Holocaust, to preserve collective memory, to confirm the destiny of the Jewish people, and to legitimate the role of literature after Auschwitz as a fusion of word and myth, functional to analyzing reality on a critical level.https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3296 |
spellingShingle | Marco Serio Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs Studia theodisca |
title | Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs |
title_full | Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs |
title_fullStr | Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs |
title_full_unstemmed | Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs |
title_short | Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs |
title_sort | il mito della rauchseele in eli ein mysterienspiel vom leiden israels di nelly sachs |
url | https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3296 |
work_keys_str_mv | AT marcoserio ilmitodellarauchseeleinelieinmysterienspielvomleidenisraelsdinellysachs |