Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs

This essay investigates the poetic strategies that Nelly Sachs introduces into her lyrical drama Eli in order to solve the problem of the ethical limitations of Holocaust literary representation in the post-Auschwitz world. Sachs rejects Adorno’s famous dictum and voices the “unspeakable” and the “u...

Full description

Bibliographic Details
Main Author: Marco Serio
Format: Article
Language:deu
Published: Milano University Press 2013-11-01
Series:Studia theodisca
Online Access:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3296
_version_ 1797711621039063040
author Marco Serio
author_facet Marco Serio
author_sort Marco Serio
collection DOAJ
description This essay investigates the poetic strategies that Nelly Sachs introduces into her lyrical drama Eli in order to solve the problem of the ethical limitations of Holocaust literary representation in the post-Auschwitz world. Sachs rejects Adorno’s famous dictum and voices the “unspeakable” and the “unthinkable” through Romantic themes and the Jewish tradition. The shift from “visible” to “invisible” allows her to elaborate the Holocaust, to preserve collective memory, to confirm the destiny of the Jewish people, and to legitimate the role of literature after Auschwitz as a fusion of word and myth, functional to analyzing reality on a critical level.
first_indexed 2024-03-12T07:09:45Z
format Article
id doaj.art-fb652589571847da826ce69b0f47a3a5
institution Directory Open Access Journal
issn 1593-2478
2385-2917
language deu
last_indexed 2024-03-12T07:09:45Z
publishDate 2013-11-01
publisher Milano University Press
record_format Article
series Studia theodisca
spelling doaj.art-fb652589571847da826ce69b0f47a3a52023-09-02T23:16:22ZdeuMilano University PressStudia theodisca1593-24782385-29172013-11-0120012315510.13130/1593-2478/32962910Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly SachsMarco Serio0Università degli Studi di Trento, ItalyThis essay investigates the poetic strategies that Nelly Sachs introduces into her lyrical drama Eli in order to solve the problem of the ethical limitations of Holocaust literary representation in the post-Auschwitz world. Sachs rejects Adorno’s famous dictum and voices the “unspeakable” and the “unthinkable” through Romantic themes and the Jewish tradition. The shift from “visible” to “invisible” allows her to elaborate the Holocaust, to preserve collective memory, to confirm the destiny of the Jewish people, and to legitimate the role of literature after Auschwitz as a fusion of word and myth, functional to analyzing reality on a critical level.https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3296
spellingShingle Marco Serio
Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs
Studia theodisca
title Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs
title_full Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs
title_fullStr Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs
title_full_unstemmed Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs
title_short Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs
title_sort il mito della rauchseele in eli ein mysterienspiel vom leiden israels di nelly sachs
url https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3296
work_keys_str_mv AT marcoserio ilmitodellarauchseeleinelieinmysterienspielvomleidenisraelsdinellysachs