| Summary: | <p class="Hybrisresumenes">The concept of aura is usually employed in reference to a quality of the work of art that fades away as a consequence of the rising and development of the mechanical techniques of reproduction. Notwithstanding, Benjamin himself points out that this fading away is a symptomatic process, and that its significance exceeds the merely artistic field. In this context, our article explores this overflow, taking into consideration the elasticity that the notion of aura displays in the work of Walter Benjamin, in order to prove that this concept does not constitutes an element that would be exclusive of the work of art, but refers instead to a certain modulation of historic and aesthetic experience</p>
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