Film-thinking and narrative indeterminacy

This article elaborates on Daniel Frampton’s concept of “film-thinking” to propose a novel conception of the status of the narrative event presented in film, providing an alternative to previous conceptions of narration and agency in film. More specifically, the article develop Frampton’s idea that...

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Bibliographic Details
Main Author: Jimmy Billingham
Format: Article
Language:English
Published: University College Cork 2012-12-01
Series:Alphaville: Journal of Film and Screen Media
Subjects:
Online Access:http://www.alphavillejournal.com/Issue 4/HTML/ArticleBillingham.html
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author Jimmy Billingham
author_facet Jimmy Billingham
author_sort Jimmy Billingham
collection DOAJ
description This article elaborates on Daniel Frampton’s concept of “film-thinking” to propose a novel conception of the status of the narrative event presented in film, providing an alternative to previous conceptions of narration and agency in film. More specifically, the article develop Frampton’s idea that the moving images of film manifest a particular and unique mode of “thought,” with the agent of this thought immanent within the images that it “thinks.” Frampton terms this agent a “filmind” and regards it as transsubjective, it is not an objective perspective, outside the world of the film, nor a subjective character perspective within it, but is immanent within the film-world which constitutes its intentionality as a unique mode of thought. The article utilises this model of filmic agency and the underlying ontological indeterminacy to reconsider the status of narrative events presented in the moving image of film and how we may conceptualise narrative agency and viewer activity in relation to this, especially with regards to flashbacks, voice-over and unreliable narration.
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spelling doaj.art-fbacf9b30eaa4796bd58f73b600b3a7c2022-12-22T01:10:38ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782012-12-0146882https://doi.org/10.33178/alpha.4.05Film-thinking and narrative indeterminacyJimmy Billingham0Independent ScholarThis article elaborates on Daniel Frampton’s concept of “film-thinking” to propose a novel conception of the status of the narrative event presented in film, providing an alternative to previous conceptions of narration and agency in film. More specifically, the article develop Frampton’s idea that the moving images of film manifest a particular and unique mode of “thought,” with the agent of this thought immanent within the images that it “thinks.” Frampton terms this agent a “filmind” and regards it as transsubjective, it is not an objective perspective, outside the world of the film, nor a subjective character perspective within it, but is immanent within the film-world which constitutes its intentionality as a unique mode of thought. The article utilises this model of filmic agency and the underlying ontological indeterminacy to reconsider the status of narrative events presented in the moving image of film and how we may conceptualise narrative agency and viewer activity in relation to this, especially with regards to flashbacks, voice-over and unreliable narration.http://www.alphavillejournal.com/Issue 4/HTML/ArticleBillingham.htmlfilm narrativediegeticmimetic
spellingShingle Jimmy Billingham
Film-thinking and narrative indeterminacy
Alphaville: Journal of Film and Screen Media
film narrative
diegetic
mimetic
title Film-thinking and narrative indeterminacy
title_full Film-thinking and narrative indeterminacy
title_fullStr Film-thinking and narrative indeterminacy
title_full_unstemmed Film-thinking and narrative indeterminacy
title_short Film-thinking and narrative indeterminacy
title_sort film thinking and narrative indeterminacy
topic film narrative
diegetic
mimetic
url http://www.alphavillejournal.com/Issue 4/HTML/ArticleBillingham.html
work_keys_str_mv AT jimmybillingham filmthinkingandnarrativeindeterminacy