Between Political Discourse and Classic Inheritance: the State of Chinese Cinema in the 21st Century

Since the beginning of the 21st century, Chinese movies have shown a strong tendency towards the adaptation of classics in an attempt to draw audiences. However, of all the productions churned out by the film industry, very few win audience acclaim. One of the main reasons for this is that adaptatio...

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Main Author: Ying Wang
Format: Article
Language:English
Published: Singidunum University. Faculty of Media and Communications 2016-10-01
Series:AM: Art + Media
Subjects:
Online Access:http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/137
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author Ying Wang
author_facet Ying Wang
author_sort Ying Wang
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description Since the beginning of the 21st century, Chinese movies have shown a strong tendency towards the adaptation of classics in an attempt to draw audiences. However, of all the productions churned out by the film industry, very few win audience acclaim. One of the main reasons for this is that adaptations, in attempting to weave new themes and plots into the originals, become followers of mainstream values and ideology. While this does contribute to the moral construction of the citizenry, as desired by the Chinese government in the current political context, it is not justified from the perspective of classic inheritance. What means, if any, exist to reconcile the conflict between political discourse and classic inheritance? How to strike a balance between the two? These have become urgent questions which must be addressed.
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spelling doaj.art-fbcfafbcf84c4fd3b0bb4d896f10cc862022-12-22T02:11:24ZengSingidunum University. Faculty of Media and CommunicationsAM: Art + Media2217-96662406-16542016-10-01010899510.25038/am.v0i10.137138Between Political Discourse and Classic Inheritance: the State of Chinese Cinema in the 21st CenturyYing Wang0Institute of Literature, Chinese Academy of Social Sciences, BeijingSince the beginning of the 21st century, Chinese movies have shown a strong tendency towards the adaptation of classics in an attempt to draw audiences. However, of all the productions churned out by the film industry, very few win audience acclaim. One of the main reasons for this is that adaptations, in attempting to weave new themes and plots into the originals, become followers of mainstream values and ideology. While this does contribute to the moral construction of the citizenry, as desired by the Chinese government in the current political context, it is not justified from the perspective of classic inheritance. What means, if any, exist to reconcile the conflict between political discourse and classic inheritance? How to strike a balance between the two? These have become urgent questions which must be addressed.http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/137political discourse, classic inheritance, Chinese movie, new century
spellingShingle Ying Wang
Between Political Discourse and Classic Inheritance: the State of Chinese Cinema in the 21st Century
AM: Art + Media
political discourse, classic inheritance, Chinese movie, new century
title Between Political Discourse and Classic Inheritance: the State of Chinese Cinema in the 21st Century
title_full Between Political Discourse and Classic Inheritance: the State of Chinese Cinema in the 21st Century
title_fullStr Between Political Discourse and Classic Inheritance: the State of Chinese Cinema in the 21st Century
title_full_unstemmed Between Political Discourse and Classic Inheritance: the State of Chinese Cinema in the 21st Century
title_short Between Political Discourse and Classic Inheritance: the State of Chinese Cinema in the 21st Century
title_sort between political discourse and classic inheritance the state of chinese cinema in the 21st century
topic political discourse, classic inheritance, Chinese movie, new century
url http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/137
work_keys_str_mv AT yingwang betweenpoliticaldiscourseandclassicinheritancethestateofchinesecinemainthe21stcentury