Mimesis, fiction, paradoxes

Like Renaissance poetics, contemporary theories of fiction do favour a conception of mimesis based on likelihood. In order to underscore the benefits of fiction, in terms of cognition or ethics, both ancient and present-day authors usually identify imitation (however this is understood) as a kind of...

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Main Author: Françoise Lavocat
Format: Article
Language:fra
Published: Université de Lille 2010-04-01
Series:Methodos
Subjects:
Online Access:http://journals.openedition.org/methodos/2428
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author Françoise Lavocat
author_facet Françoise Lavocat
author_sort Françoise Lavocat
collection DOAJ
description Like Renaissance poetics, contemporary theories of fiction do favour a conception of mimesis based on likelihood. In order to underscore the benefits of fiction, in terms of cognition or ethics, both ancient and present-day authors usually identify imitation (however this is understood) as a kind of rationality. The aim of this article is to question the status of contradictions and impossibilities, first in current theories of fiction (J-M Schaeffer, M.-L. Ryan, L. Doležel), then in two sixteenth century comments of Aristotle (by L. Castelvetro and F. Patrizi). In the following steps, forms and functions of the impossible are studied in three narratives of the Renaissance. The main hypothesis here is the following: in Renaissance fiction, paradoxes allow to conceive non-existing objects in the line of scholastic philosophy and in relationship with religious issues, seriously or mockingly envisioned. Consequently, paradoxes, being inherently reflexive, provide Renaissance fiction with auto-reference. Then as nowadays, the conception of fiction is displayed in very different ways in theories and narratives.
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spelling doaj.art-fc394af3775943f3acd2af4119e73c032022-12-22T00:31:30ZfraUniversité de LilleMethodos1769-73792010-04-011010.4000/methodos.2428Mimesis, fiction, paradoxesFrançoise LavocatLike Renaissance poetics, contemporary theories of fiction do favour a conception of mimesis based on likelihood. In order to underscore the benefits of fiction, in terms of cognition or ethics, both ancient and present-day authors usually identify imitation (however this is understood) as a kind of rationality. The aim of this article is to question the status of contradictions and impossibilities, first in current theories of fiction (J-M Schaeffer, M.-L. Ryan, L. Doležel), then in two sixteenth century comments of Aristotle (by L. Castelvetro and F. Patrizi). In the following steps, forms and functions of the impossible are studied in three narratives of the Renaissance. The main hypothesis here is the following: in Renaissance fiction, paradoxes allow to conceive non-existing objects in the line of scholastic philosophy and in relationship with religious issues, seriously or mockingly envisioned. Consequently, paradoxes, being inherently reflexive, provide Renaissance fiction with auto-reference. Then as nowadays, the conception of fiction is displayed in very different ways in theories and narratives.http://journals.openedition.org/methodos/2428AristotleAneau BarthelemyCastelvetro LodovicoDoležel LubomirfictionHelisenne de Crenne
spellingShingle Françoise Lavocat
Mimesis, fiction, paradoxes
Methodos
Aristotle
Aneau Barthelemy
Castelvetro Lodovico
Doležel Lubomir
fiction
Helisenne de Crenne
title Mimesis, fiction, paradoxes
title_full Mimesis, fiction, paradoxes
title_fullStr Mimesis, fiction, paradoxes
title_full_unstemmed Mimesis, fiction, paradoxes
title_short Mimesis, fiction, paradoxes
title_sort mimesis fiction paradoxes
topic Aristotle
Aneau Barthelemy
Castelvetro Lodovico
Doležel Lubomir
fiction
Helisenne de Crenne
url http://journals.openedition.org/methodos/2428
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