Reclaiming the Body and the Spirit in Oscar Wilde’s <em>Salomé</em>

This paper explores Irish identity through a recent production of Oscar Wilde’s play Salomé. The title character has been historically constructed as an object of sexuality and a paradigm of evil. Salomé is the opposite of the other principal character in the play Iokanaan, or John the Baptist, whos...

Full description

Bibliographic Details
Main Author: David Cregan
Format: Article
Language:English
Published: Firenze University Press 2015-06-01
Series:Studi Irlandesi
Online Access:https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7243
_version_ 1811227463435419648
author David Cregan
author_facet David Cregan
author_sort David Cregan
collection DOAJ
description This paper explores Irish identity through a recent production of Oscar Wilde’s play Salomé. The title character has been historically constructed as an object of sexuality and a paradigm of evil. Salomé is the opposite of the other principal character in the play Iokanaan, or John the Baptist, whose chaste spirituality sets him as a paradigm of the holy. Yet, clearly, in Wilde’s play these two characters are drawn towards each other and, in fact, both are destined to die simply because of who they are. It is this very binary of the sexual and the spiritual, the evil verses the holy, that is embedded in Irish and Western ideas around what is good and what is bad in human experience. This paper explores, through performance as research, an integration of the corporeal and spiritual in a search for the integration of the fullness of identity that values all aspects of the human condition.
first_indexed 2024-04-12T09:42:48Z
format Article
id doaj.art-fcbb123e9bf542b895fdcd34c33fe8e0
institution Directory Open Access Journal
issn 2239-3978
language English
last_indexed 2024-04-12T09:42:48Z
publishDate 2015-06-01
publisher Firenze University Press
record_format Article
series Studi Irlandesi
spelling doaj.art-fcbb123e9bf542b895fdcd34c33fe8e02022-12-22T03:38:02ZengFirenze University PressStudi Irlandesi2239-39782015-06-015510.13128/SIJIS-2239-3978-1634113685Reclaiming the Body and the Spirit in Oscar Wilde’s <em>Salomé</em>David Cregan0BSFM: Laboratorio editoriale OA (Responsabile)This paper explores Irish identity through a recent production of Oscar Wilde’s play Salomé. The title character has been historically constructed as an object of sexuality and a paradigm of evil. Salomé is the opposite of the other principal character in the play Iokanaan, or John the Baptist, whose chaste spirituality sets him as a paradigm of the holy. Yet, clearly, in Wilde’s play these two characters are drawn towards each other and, in fact, both are destined to die simply because of who they are. It is this very binary of the sexual and the spiritual, the evil verses the holy, that is embedded in Irish and Western ideas around what is good and what is bad in human experience. This paper explores, through performance as research, an integration of the corporeal and spiritual in a search for the integration of the fullness of identity that values all aspects of the human condition.https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7243
spellingShingle David Cregan
Reclaiming the Body and the Spirit in Oscar Wilde’s <em>Salomé</em>
Studi Irlandesi
title Reclaiming the Body and the Spirit in Oscar Wilde’s <em>Salomé</em>
title_full Reclaiming the Body and the Spirit in Oscar Wilde’s <em>Salomé</em>
title_fullStr Reclaiming the Body and the Spirit in Oscar Wilde’s <em>Salomé</em>
title_full_unstemmed Reclaiming the Body and the Spirit in Oscar Wilde’s <em>Salomé</em>
title_short Reclaiming the Body and the Spirit in Oscar Wilde’s <em>Salomé</em>
title_sort reclaiming the body and the spirit in oscar wilde s em salome em
url https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7243
work_keys_str_mv AT davidcregan reclaimingthebodyandthespiritinoscarwildesemsalomeem