A Five Star Flop: The Collision of Music Industry Machinations, Genre Maintenance, and Black Britishness in 1980s Pop
In a 1987 interview with BBC Radio 1 DJ, Mike Read, members of the British pop group Five Star collectively stated that their hopes and wishes for 1988 were “to crack America” – that is, to achieve comparable success in the US music market to what they had in the UK. Formed in 1983, the five-sibling...
Main Author: | Anthony Kwame Harrison |
---|---|
Format: | Article |
Language: | English |
Published: |
Éditions de l'EHESS
2022-06-01
|
Series: | Transposition |
Subjects: | |
Online Access: | http://journals.openedition.org/transposition/6881 |
Similar Items
-
When the Western is Weird. (Observations on a Certain Not Quite Traditional Genre and Three Not Quite Conventional Western Films)
by: Martin Boszorád
Published: (2013-12-01) -
Musical Flops
by: Sarah Benhaïm, et al.
Published: (2022-06-01) -
Genre Constituents in “Reflections on Genre as Social Action” – in the Light of 1980s’ Genre Research
by: Sigmund Vik Ongstad
Published: (2021-06-01) -
Grasping the Complicity and Multiplicity of Hamilton: An American Musical: Genre Circulation and the Politics of Pop Culture Pedagogy
by: Hannah Schoch -
Genres Inside Genres. A Short Theory of Embedded Genre
by: Sune Auken
Published: (2021-12-01)