Stik, skær, brænd. Sprækken som (kunst)historisk berøringspunkt i værker af Carla Zaccagnini, Annarosa Krøyer Holm og La Vaughn Belle
On the 10th of March 1914, Mary Richardson went into the National Gallery in London and attacked Diego Velázquez’ Venus del espejo (1647-51) with around seven cuts from an axe before she was stopped by the museum guard. Richardson was one of the English suffragettes that since 1903 had been organiz...
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| Format: | Article |
| Language: | Danish |
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Foreningen Periskop - Forum for kunsthistorisk debat
2018-05-01
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| Series: | Periskop |
| Online Access: | https://tidsskrift.dk/periskop/article/view/114004 |