Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit

Addressing a theoretical perspective from the Theatre Studies, the writing aims to perform an analysis of the performance Zona de dolor 1 or "Maipú" by Diamela Eltit from 1980. To do this, I stop at the skin, the body, the voice and the pain as surfaces of a sensitive experience generating...

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Main Author: Andrés Grumann
Format: Article
Language:English
Published: University Library System, University of Pittsburgh 2019-07-01
Series:Catedral Tomada: Revista de Crítica Literaria Latinoamericana
Subjects:
Online Access:http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/386
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author Andrés Grumann
author_facet Andrés Grumann
author_sort Andrés Grumann
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description Addressing a theoretical perspective from the Theatre Studies, the writing aims to perform an analysis of the performance Zona de dolor 1 or "Maipú" by Diamela Eltit from 1980. To do this, I stop at the skin, the body, the voice and the pain as surfaces of a sensitive experience generating knowledge that are perceived from the viewing of the available video of the performance. This performance analysis requires a historiographic rescue in which the partiality with which the concept of "escena de anvanza" (Richard) interpreted the performances Zonas de dolor (1980 and 1982) is discussed, situating a reading of the filiations and crossings of Eltit with Ronald Kay and the seminar that he dedicated to the wisdom of Antonin Artaud in 1974. The thought about the body, the flesh and the pain of the French teatrist accompanies the following reflections and allows to present the power of the performative in the voice of Diamela Eltit in some in some scenes from the video of Zona de dolor 1.
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spelling doaj.art-fcd718c585704b668604cdf7fac2038a2022-12-21T21:47:23ZengUniversity Library System, University of PittsburghCatedral Tomada: Revista de Crítica Literaria Latinoamericana2169-08472019-07-01712447010.5195/ct/2019.386163Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela EltitAndrés Grumann0Escuela de Teatro, Facultad de Artes Pontificia Universidad Católica de ChileAddressing a theoretical perspective from the Theatre Studies, the writing aims to perform an analysis of the performance Zona de dolor 1 or "Maipú" by Diamela Eltit from 1980. To do this, I stop at the skin, the body, the voice and the pain as surfaces of a sensitive experience generating knowledge that are perceived from the viewing of the available video of the performance. This performance analysis requires a historiographic rescue in which the partiality with which the concept of "escena de anvanza" (Richard) interpreted the performances Zonas de dolor (1980 and 1982) is discussed, situating a reading of the filiations and crossings of Eltit with Ronald Kay and the seminar that he dedicated to the wisdom of Antonin Artaud in 1974. The thought about the body, the flesh and the pain of the French teatrist accompanies the following reflections and allows to present the power of the performative in the voice of Diamela Eltit in some in some scenes from the video of Zona de dolor 1.http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/386Diamela EltitZonas de dolorteatrología
spellingShingle Andrés Grumann
Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit
Catedral Tomada: Revista de Crítica Literaria Latinoamericana
Diamela Eltit
Zonas de dolor
teatrología
title Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit
title_full Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit
title_fullStr Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit
title_full_unstemmed Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit
title_short Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit
title_sort screams in the skin sounds of pain about zona de dolor 1 by diamela eltit
topic Diamela Eltit
Zonas de dolor
teatrología
url http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/386
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