L’Accademia di Belle Arti di Venezia e «gli autori del miglior tempo»
Between 1807 and 1856, the Royal Academy of Art in Venice played a particularly active role in the cultural life of the city. Prominent figures such as Pietro Edwards, Leopoldo Cicognara and Pietro Estense Selvatico, deeply committed to the transmission of the memory of the great Venetian masters...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Fondazione Università Ca’ Foscari
2019-07-01
|
| Series: | MDCCC 1800 |
| Subjects: | |
| Online Access: | http://doi.org/10.30687/MDCCC/2280-8841/2019/01/001 |
| _version_ | 1797646285263601664 |
|---|---|
| author | Bellin, Maria Antonella Catra, Elena |
| author_facet | Bellin, Maria Antonella Catra, Elena |
| author_sort | Bellin, Maria Antonella |
| collection | DOAJ |
| description |
Between 1807 and 1856, the Royal Academy of Art in Venice played a particularly active role in the cultural life of the city. Prominent figures such as Pietro Edwards, Leopoldo Cicognara and Pietro Estense Selvatico, deeply committed to the transmission of the memory of the great Venetian masters, dedicated themselves to collect many venetian masterpieces not only to preserve them from alienation and destruction but even to increase the Accademia Gallery. The main aim of this article is to discover how and at what extent the paintings of the Venetian masters that had become part of the gallery in the first decades of the XIX century, had been copied by students, academics and contemporary painters to satisfy the ambitious expectations of famous collectors and publishers.
|
| first_indexed | 2024-03-11T15:00:22Z |
| format | Article |
| id | doaj.art-fcfb2fb0da6d4abab9e938603af1b5bb |
| institution | Directory Open Access Journal |
| issn | 2280-8841 |
| language | English |
| last_indexed | 2024-03-11T15:00:22Z |
| publishDate | 2019-07-01 |
| publisher | Fondazione Università Ca’ Foscari |
| record_format | Article |
| series | MDCCC 1800 |
| spelling | doaj.art-fcfb2fb0da6d4abab9e938603af1b5bb2023-10-30T08:11:44ZengFondazione Università Ca’ FoscariMDCCC 18002280-88412019-07-018110.30687/MDCCC/2280-8841/2019/01/001journal_article_2153L’Accademia di Belle Arti di Venezia e «gli autori del miglior tempo»Bellin, Maria Antonella0Catra, Elena1Ricercatrice indipendenteUniversità Ca’ Foscari Venezia, Italia Between 1807 and 1856, the Royal Academy of Art in Venice played a particularly active role in the cultural life of the city. Prominent figures such as Pietro Edwards, Leopoldo Cicognara and Pietro Estense Selvatico, deeply committed to the transmission of the memory of the great Venetian masters, dedicated themselves to collect many venetian masterpieces not only to preserve them from alienation and destruction but even to increase the Accademia Gallery. The main aim of this article is to discover how and at what extent the paintings of the Venetian masters that had become part of the gallery in the first decades of the XIX century, had been copied by students, academics and contemporary painters to satisfy the ambitious expectations of famous collectors and publishers. http://doi.org/10.30687/MDCCC/2280-8841/2019/01/001Leopoldo Cicognara. Pietro Edwards. Renaissance. Venetian art. XIX century art |
| spellingShingle | Bellin, Maria Antonella Catra, Elena L’Accademia di Belle Arti di Venezia e «gli autori del miglior tempo» MDCCC 1800 Leopoldo Cicognara. Pietro Edwards. Renaissance. Venetian art. XIX century art |
| title | L’Accademia di Belle Arti di Venezia e «gli autori del miglior tempo» |
| title_full | L’Accademia di Belle Arti di Venezia e «gli autori del miglior tempo» |
| title_fullStr | L’Accademia di Belle Arti di Venezia e «gli autori del miglior tempo» |
| title_full_unstemmed | L’Accademia di Belle Arti di Venezia e «gli autori del miglior tempo» |
| title_short | L’Accademia di Belle Arti di Venezia e «gli autori del miglior tempo» |
| title_sort | l accademia di belle arti di venezia e gli autori del miglior tempo |
| topic | Leopoldo Cicognara. Pietro Edwards. Renaissance. Venetian art. XIX century art |
| url | http://doi.org/10.30687/MDCCC/2280-8841/2019/01/001 |
| work_keys_str_mv | AT bellinmariaantonella laccademiadibelleartidiveneziaegliautoridelmigliortempo AT catraelena laccademiadibelleartidiveneziaegliautoridelmigliortempo |