Il tragico, il comico e il grottesco nella lingua di alcune opere verdiane
In this contribution I report the linguistic reflections of the cathegories of the ugly and the grotesque in some Verdi’s libretti. Respect to the ugly, I concentrate my analysis on Solera’s libretti, particularly on Lombardi, in the first phase of Verdi’s composition process. Respect to the grotesq...
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| Format: | Article |
| Language: | English |
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Milano University Press
2013-10-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/3255 |
| _version_ | 1797713459493732352 |
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| author | Ilaria Bonomi |
| author_facet | Ilaria Bonomi |
| author_sort | Ilaria Bonomi |
| collection | DOAJ |
| description | In this contribution I report the linguistic reflections of the cathegories of the ugly and the grotesque in some Verdi’s libretti. Respect to the ugly, I concentrate my analysis on Solera’s libretti, particularly on Lombardi, in the first phase of Verdi’s composition process. Respect to the grotesque, the admixture between tragic and comic find its most convincing expression in the synergy between words and music in: Rigoletto, La forza del destino di Piave, Ballo in maschera di Somma. Here the stylistic variation among different carachters seems good dashed and well conducted by Verdi and the two librettists. Il trovatore, on the contrary, is few diversified in linguistic registers and in contrasts and it is characterized by a strongly elevated linguistic. |
| first_indexed | 2024-03-12T07:36:56Z |
| format | Article |
| id | doaj.art-fd3403da7b2b4789b15e7de9de4a1ecf |
| institution | Directory Open Access Journal |
| issn | 2039-9251 |
| language | English |
| last_indexed | 2024-03-12T07:36:56Z |
| publishDate | 2013-10-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Itinera |
| spelling | doaj.art-fd3403da7b2b4789b15e7de9de4a1ecf2023-09-02T21:29:11ZengMilano University PressItinera2039-92512013-10-01610.13130/2039-9251/3255Il tragico, il comico e il grottesco nella lingua di alcune opere verdianeIlaria Bonomi0Università degli Studi di MilanoIn this contribution I report the linguistic reflections of the cathegories of the ugly and the grotesque in some Verdi’s libretti. Respect to the ugly, I concentrate my analysis on Solera’s libretti, particularly on Lombardi, in the first phase of Verdi’s composition process. Respect to the grotesque, the admixture between tragic and comic find its most convincing expression in the synergy between words and music in: Rigoletto, La forza del destino di Piave, Ballo in maschera di Somma. Here the stylistic variation among different carachters seems good dashed and well conducted by Verdi and the two librettists. Il trovatore, on the contrary, is few diversified in linguistic registers and in contrasts and it is characterized by a strongly elevated linguistic.https://riviste.unimi.it/index.php/itinera/article/view/3255 |
| spellingShingle | Ilaria Bonomi Il tragico, il comico e il grottesco nella lingua di alcune opere verdiane Itinera |
| title | Il tragico, il comico e il grottesco nella lingua di alcune opere verdiane |
| title_full | Il tragico, il comico e il grottesco nella lingua di alcune opere verdiane |
| title_fullStr | Il tragico, il comico e il grottesco nella lingua di alcune opere verdiane |
| title_full_unstemmed | Il tragico, il comico e il grottesco nella lingua di alcune opere verdiane |
| title_short | Il tragico, il comico e il grottesco nella lingua di alcune opere verdiane |
| title_sort | il tragico il comico e il grottesco nella lingua di alcune opere verdiane |
| url | https://riviste.unimi.it/index.php/itinera/article/view/3255 |
| work_keys_str_mv | AT ilariabonomi iltragicoilcomicoeilgrottesconellalinguadialcuneopereverdiane |