Métaphores du beau et signes visuels dans la pensée de Calvin
The struggle against the idols has concealed an important element of Calvin’s theology : it is open to aesthetics, when the picture passes of the status of liturgical object in that of work of art. His view of God continually refers to beauty and art, for which he makes use of metaphors. His aesthet...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Laboratoire de Recherche Historique Rhône-Alpes (LARHRA UMR 5190)
2011-07-01
|
| Series: | Chrétiens et Sociétés |
| Subjects: | |
| Online Access: | http://journals.openedition.org/chretienssocietes/2724 |
| _version_ | 1797969931146362880 |
|---|---|
| author | Jérôme Cottin |
| author_facet | Jérôme Cottin |
| author_sort | Jérôme Cottin |
| collection | DOAJ |
| description | The struggle against the idols has concealed an important element of Calvin’s theology : it is open to aesthetics, when the picture passes of the status of liturgical object in that of work of art. His view of God continually refers to beauty and art, for which he makes use of metaphors. His aesthetics comes to light in his theology of creation and of the sacraments. It is sustained by a differentiated theory of signs, i.e. both linguistic and plastic elements. For that reason, it seems really modern. |
| first_indexed | 2024-04-11T03:10:06Z |
| format | Article |
| id | doaj.art-fd652251309540cc81290f2be6e58be5 |
| institution | Directory Open Access Journal |
| issn | 1257-127X 1965-0809 |
| language | fra |
| last_indexed | 2024-04-11T03:10:06Z |
| publishDate | 2011-07-01 |
| publisher | Laboratoire de Recherche Historique Rhône-Alpes (LARHRA UMR 5190) |
| record_format | Article |
| series | Chrétiens et Sociétés |
| spelling | doaj.art-fd652251309540cc81290f2be6e58be52023-01-02T12:07:27ZfraLaboratoire de Recherche Historique Rhône-Alpes (LARHRA UMR 5190)Chrétiens et Sociétés1257-127X1965-08092011-07-01153610.4000/chretienssocietes.2724Métaphores du beau et signes visuels dans la pensée de CalvinJérôme CottinThe struggle against the idols has concealed an important element of Calvin’s theology : it is open to aesthetics, when the picture passes of the status of liturgical object in that of work of art. His view of God continually refers to beauty and art, for which he makes use of metaphors. His aesthetics comes to light in his theology of creation and of the sacraments. It is sustained by a differentiated theory of signs, i.e. both linguistic and plastic elements. For that reason, it seems really modern.http://journals.openedition.org/chretienssocietes/2724ArtCalvin (Jean)IdolsWorks of art |
| spellingShingle | Jérôme Cottin Métaphores du beau et signes visuels dans la pensée de Calvin Chrétiens et Sociétés Art Calvin (Jean) Idols Works of art |
| title | Métaphores du beau et signes visuels dans la pensée de Calvin |
| title_full | Métaphores du beau et signes visuels dans la pensée de Calvin |
| title_fullStr | Métaphores du beau et signes visuels dans la pensée de Calvin |
| title_full_unstemmed | Métaphores du beau et signes visuels dans la pensée de Calvin |
| title_short | Métaphores du beau et signes visuels dans la pensée de Calvin |
| title_sort | metaphores du beau et signes visuels dans la pensee de calvin |
| topic | Art Calvin (Jean) Idols Works of art |
| url | http://journals.openedition.org/chretienssocietes/2724 |
| work_keys_str_mv | AT jeromecottin metaphoresdubeauetsignesvisuelsdanslapenseedecalvin |