Éphémères musées d’archéologie médiévale. La collection de moulages de l’humble M. Malzieux

Envisioned since the foundation of the Committee on Historical monuments and in particular after the Revolution of 1848, the creation of a cast museum displaying French medieval sculpture was not adopted until 1879, when Jules Ferry approved Viollet-le-Duc’s project for a Museum of comparative sculp...

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Main Author: Jean-Marc Hofman
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2016-03-01
Series:In Situ
Subjects:
Online Access:http://journals.openedition.org/insitu/12648
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author Jean-Marc Hofman
author_facet Jean-Marc Hofman
author_sort Jean-Marc Hofman
collection DOAJ
description Envisioned since the foundation of the Committee on Historical monuments and in particular after the Revolution of 1848, the creation of a cast museum displaying French medieval sculpture was not adopted until 1879, when Jules Ferry approved Viollet-le-Duc’s project for a Museum of comparative sculpture. Twenty-four years earlier, the architect had already spoken up on behalf of a humble cast-maker, Auguste Malzieux. Viollet-le-Duc proposal was to assemble in the Louvre Malzieux’s incredible collection of life-size casts of French sculpture from the eleventh to sixteenth centuries. Historians have generally recognized this suggestion as a phase in the creation of the Museum of comparative sculpture but without appreciating its scope and destiny. Focusing on Auguste Malzieux’s personality, this communication presents original research which reveals that the collection of this little-known figure was not only presented in an ephemeral ‘Museum of Mediaeval Archaeology’ but also found new fortunes.
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spelling doaj.art-fd9b179f26dc4aa693acc922cf9f1eac2023-10-03T10:36:12ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052016-03-012810.4000/insitu.12648Éphémères musées d’archéologie médiévale. La collection de moulages de l’humble M. MalzieuxJean-Marc HofmanEnvisioned since the foundation of the Committee on Historical monuments and in particular after the Revolution of 1848, the creation of a cast museum displaying French medieval sculpture was not adopted until 1879, when Jules Ferry approved Viollet-le-Duc’s project for a Museum of comparative sculpture. Twenty-four years earlier, the architect had already spoken up on behalf of a humble cast-maker, Auguste Malzieux. Viollet-le-Duc proposal was to assemble in the Louvre Malzieux’s incredible collection of life-size casts of French sculpture from the eleventh to sixteenth centuries. Historians have generally recognized this suggestion as a phase in the creation of the Museum of comparative sculpture but without appreciating its scope and destiny. Focusing on Auguste Malzieux’s personality, this communication presents original research which reveals that the collection of this little-known figure was not only presented in an ephemeral ‘Museum of Mediaeval Archaeology’ but also found new fortunes.http://journals.openedition.org/insitu/12648Viollet-le-DucGeoffroy-DechaumeGérenteCorbelDaubignymoulder
spellingShingle Jean-Marc Hofman
Éphémères musées d’archéologie médiévale. La collection de moulages de l’humble M. Malzieux
In Situ
Viollet-le-Duc
Geoffroy-Dechaume
Gérente
Corbel
Daubigny
moulder
title Éphémères musées d’archéologie médiévale. La collection de moulages de l’humble M. Malzieux
title_full Éphémères musées d’archéologie médiévale. La collection de moulages de l’humble M. Malzieux
title_fullStr Éphémères musées d’archéologie médiévale. La collection de moulages de l’humble M. Malzieux
title_full_unstemmed Éphémères musées d’archéologie médiévale. La collection de moulages de l’humble M. Malzieux
title_short Éphémères musées d’archéologie médiévale. La collection de moulages de l’humble M. Malzieux
title_sort ephemeres musees d archeologie medievale la collection de moulages de l humble m malzieux
topic Viollet-le-Duc
Geoffroy-Dechaume
Gérente
Corbel
Daubigny
moulder
url http://journals.openedition.org/insitu/12648
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