Compositional Aspects in the Fifth Book of Ponteios by Camargo Guarnieri

In this article, I aim to analyze the ten Ponteios that integrate the Fifth Book of Ponteios composed by the Brazilian musician Camargo Guarnieri. I intend to reflect on some features observed in Guarnieri compositional technique, which gives coherence and unity to those Ponteios when considered in...

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Main Author: Antenor Ferreira Corrêa
Format: Article
Language:English
Published: Associação Brasileira de Teoria e Análise Musical 2016-08-01
Series:Musica Theorica
Online Access:https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/7
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author Antenor Ferreira Corrêa
author_facet Antenor Ferreira Corrêa
author_sort Antenor Ferreira Corrêa
collection DOAJ
description In this article, I aim to analyze the ten Ponteios that integrate the Fifth Book of Ponteios composed by the Brazilian musician Camargo Guarnieri. I intend to reflect on some features observed in Guarnieri compositional technique, which gives coherence and unity to those Ponteios when considered individually and in the whole set of Fifth Book. In this sense, I will consider some procedures such as pitch-centricity, suspended tonality, and parsimony as a way to understand how Guarnieri operates a sort of tonal deconstruction. I expect to provide additional material to a group of analytical works dedicated to comprehend Guarnieri's compositional thought.
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spelling doaj.art-fdabb71a11b8461c8bfe0eff5abf167f2023-05-01T22:21:39ZengAssociação Brasileira de Teoria e Análise MusicalMusica Theorica2525-55412016-08-011110.52930/mt.v1i1.7Compositional Aspects in the Fifth Book of Ponteios by Camargo GuarnieriAntenor Ferreira Corrêa0Universidade de Brasília In this article, I aim to analyze the ten Ponteios that integrate the Fifth Book of Ponteios composed by the Brazilian musician Camargo Guarnieri. I intend to reflect on some features observed in Guarnieri compositional technique, which gives coherence and unity to those Ponteios when considered individually and in the whole set of Fifth Book. In this sense, I will consider some procedures such as pitch-centricity, suspended tonality, and parsimony as a way to understand how Guarnieri operates a sort of tonal deconstruction. I expect to provide additional material to a group of analytical works dedicated to comprehend Guarnieri's compositional thought. https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/7
spellingShingle Antenor Ferreira Corrêa
Compositional Aspects in the Fifth Book of Ponteios by Camargo Guarnieri
Musica Theorica
title Compositional Aspects in the Fifth Book of Ponteios by Camargo Guarnieri
title_full Compositional Aspects in the Fifth Book of Ponteios by Camargo Guarnieri
title_fullStr Compositional Aspects in the Fifth Book of Ponteios by Camargo Guarnieri
title_full_unstemmed Compositional Aspects in the Fifth Book of Ponteios by Camargo Guarnieri
title_short Compositional Aspects in the Fifth Book of Ponteios by Camargo Guarnieri
title_sort compositional aspects in the fifth book of ponteios by camargo guarnieri
url https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/7
work_keys_str_mv AT antenorferreiracorrea compositionalaspectsinthefifthbookofponteiosbycamargoguarnieri